The list is intended to include as many on-line ECD videos as can be found with the exception of those in which the images or music are substantially impaired, or the dance is displayed for less than 60 seconds. The quality of the dancing is generally not a factor as long as the dancers appear to be enjoying themselves. Where a particular dance has been uploaded repeatedly in the same context - for example, repeat performances by a dance troupe or favorite dances at successive annual balls, repetitive videos may be omitted. The  collection has been used largely by dancers as an aid to learning dances, by callers planning dance programs and musicians to see how  a dance works at different tempos.  Those videos that are likely to be the most useful for learning a dance are marked with an asterisk in the listing. More than one video may be noted for a particular dance, especially for variant interpretations or reconstructions .  

To locate a dance video or animation  search either for videos by Title, Venue/Date, Collection (who posted it), Leader/Caller/Performance group, Musicians, or Choreographer, or you browse by dance name.  The header for each dance displays - when known – the choreographer and tune, dance formation, meter and key and a link a to- “Dance instruction” - (generally, choreography, sheet music. and/or descriptions of dance variation). 

(Note:: material provided by OttawaECDClub's Dance instruction index wiki, and by CDSS (Bolton and Sheffield Collections), are, unless otherwise noted, subject to the Attribution-Non-commercial-ShareAlike license),

For each dance with multiple videos entries appear in the order of 1) Choreographer and then 2) the name of the person or entity posting the video. .

Dance animations, formerly displayed on a separate page, have been integrated into this list . (for a list of all animations, search venue/date for "animation").

As of 10/17//2017 this data base links to 3,265 videos and 217 animations of 1,062 dances

 

Contains


Or Browse By Dance Name

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

Formation: Longways duple minor improper, or Sicilian Circle
Key: Am, Meter: 3/4
Choreography/Music: Fried deMetz Herman (1995) to Bonny Sweet Robin by Anthony Holborne (1597)

 

Formation: Triad formation. All proper
Key: D, Meter: 3/4
Choreography/Music: Fried de Metz Herman (2004) to The Old Man

 

Formation: Longways duple minor improper, or Sicilian Circle
Key: D, Meter: 2/2
Choreography/Music: Fried de Metz Herman

 

Formation: 3 couple longways set
Choreography/Music: Ann Higley (1996) to tune by Colin Hume

 

Formation: 3 couple longways set
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651, including SCA reconstruction

 

Formation: Longways triple minor
Key: Dm, Meter: 2/2
Choreography/Music: Gary Roodman (2005) to tune of the same name by Jonathan Jensen

 

Formation: Duple minor longways
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: David Smukler (2017)

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski (2009) toBe Thou My Vision (Irish Trad.)

 

Formation: 2 couple circle
Key: C, Meter: 4/4
Choreography/Music: Gary Roodman (2003) to Alta Vittoria, Frabitio Varuso

 

Formation: 4 couple longways
Key: G, Meter: 6/8
Choreography/Music: Orly Krasner (2004) to Frank Palmer by Turlough O'Carolan

 

Formation: Longways duple minor
Key: A, Meter: 3/4
Dance Instruction
Choreography/Music: Philippe Callens to Siciliano by Georrg Philipp Telemann. Published in his book Antwerp Antics (2004).

 

Formation: 3 couple longways set
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford. 1651

 

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: David Ashworth (1991)to Doves Figary

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. IV

 

Formation: Longways triple or duple minor
Key: D, Meter: 4/4
Choreography/Music: American 1775-95

 

Formation: Longways duple minor
Key: A, Meter: 2/4
Dance Instruction
Choreography/Music: Johnson. Country Dances-8. 1753

 

Formation: 2 couple circle
Key: D, Meter: 6/4
Choreography/Music: Playford 1657. Parts 2&3 revised by Cecil Laye

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Choreography/Music: Playford 1657, interp Cecil Sharpe (1911)

 

Formation: 4 couple set 3rd nd 4th cu improper
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw (1974)

 

Formation: Sicilian with extra Couple
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw (1974)

 

Formation: Longways duple minor
Key: Em, Meter: 2/2
Dance Instruction
Choreography/Music: Dance and Music by Colin Hume (2006) , written for Amy Lund

 

Formation: Duple minor longways
Dance Instruction
Choreography/Music: Keith Wood December 2012 to Souffle d'Ange by Le Vent Du Nord

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Choreography/Music: Graham Christian (2001) to Streams of Lovely Nancy (trad)

 

Formation: Double circle
Key: D, Meter: 3/4
Choreography/Music: Gary Roodman(2008) to a tune by Charlene Thompson

 

Formation: 2 couples longways
Dance Instruction
Choreography/Music: Lise M. Dyckman (1997) to Pernod Waltz, Johnny Cunningham (1984)

 

Formation: 5 couple circle
Key: F, Meter: 2/2
Choreography/Music: Gary Roodman (2012) to Beaumont Rag, Trad

 

Formation: Duple Minor Longways
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Choreography/Music: Playford 1702

 

Formation: Longways duple minor improper
Key: D, Meter: 6/8
Choreography/Music: Gary Roodman(2009) to an 18th century tune, La Chasse d'Apollon

 

Formation: 3 couple longways set
Meter: 3/4
Dance Instruction
Choreography/Music: Keith Wood April 2015

 

Formation: Triple minor longways
Key: F, Meter: 9/8
Choreography/Music: Thompson 1765

 

Formation: Longways duple minor
Key: D, Meter: 4/4
Choreography/Music: Anna Rain (2015) to The Huntsman's

 

Formation: 3 couple longways set
Key: Bb, Meter: 2/2
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580)

 

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Philippe Callens to Goff Hall by Dan Lanier

 

Formation: Longways duple minor improper
Key: Em, Meter: 3/4
Choreography/Music: Fried de Metz Herman to a tune by Pursell

 

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Dance Instruction
Choreography/Music: Choreography/Music: Rutherford 1756 & Thompson 1757/ See 'dance instruction' above

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly & Chris Oakdenk Brooke Friendly & Chris Sackett to Saint Malo

 

Formation: Longways duple minor improper
Key: D, Meter: 2/2
Choreography/Music: Philippe Callens published in the CDSS News, #175, Nov/Dec 2003 and in Antwerp Antics, June 2004. Tune is Red Star Line by Kathie Talvie

 

Formation: Longways duple minor improper
Key: Bm, Meter: 2/2
Choreography/Music: Gary Roodman (2015) to a tune by Rebecca King

 

Formation: 3 couple longways set
Choreography/Music: Lorreta Holz to Autumn Splendor by Charlene Thomson

 

Formation: Triple minor longways
Key: C, Meter: 6/8
Choreography/Music: Thompson 1782

 

Formation: Longways duple minor improper
Key: Dm, Meter: 2/2
Choreography/Music: Gary Roodman to Hint of Spring by Dave Wiesler

 

Formation: 3 couple circle
Meter: 6/8
Choreography/Music: Jenna Simpson (2010)

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Choreography/Music: Walsh 2d Book of the Compleat Country Dancing Master 2a 1719. interpreted by Fried de Metz Herman

 

Formation: Longways duple minor
Key: D, Meter: 2/4
Choreography/Music: Walsh c.1735, interp. by Jacqueline Schwab; and a Heritage Musick variation

 

Formation: 3 couple round set
Key: Dm, Meter: 3/d
Dance Instruction
Choreography/Music: Pat Shaw (1974)

 

Formation: Longways duple minor improper
Key: D, Meter: 3/2
Choreography/Music: Interpretation of Playford 1701 by A. Simon Kentish Hops

 

Formation: Longways duple minor
Key: Gm, Meter: 3/2
Choreography/Music: The Dancing Master, 1713; reconstruction by Bernard Bentley 1962

 

Formation: 3 couple longways set
Choreography/Music: Bruce Rosen

 

Formation: 3 couple longways set
Choreography/Music: Unknown. Possibly a Bath Fan dance circa 1780

 

Formation: Triple minor longways
Key: A, Meter: 6/8
Choreography/Music: Thompson 1777

 

Formation: Longways duple minor improper
Key: G, Meter: 6/4
Choreography/Music: Patricia Evans

 

Formation: 4 couple square
Choreography/Music: Hubert Collinet (1823)

 

Formation: Triple minor longways
Choreography/Music: Scottish country dance, modified by Annette Merritt into an English triple minor to Perpetual Motion

 

Formation: 4 couple longways set
Key: D, Meter: 3/2
Choreography/Music: Leslie Lassetter/ Come and Find the Quiet Center, trad.attrib to BF White.

 

Formation: 3 couple longways set (was triple mimor)
Key: Am, Meter: 3/2
Choreography/Music: The Dancing Master,1713; reconstruction by Bernard Bentley (Fallibroome Collection)

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Joseph Pimentel (2005) ro the tune Baptist Johnson by by Turlough O'Carolan

 

Formation: 4 couple longways
Key: G, Meter: 6/8
Choreography/Music: Charles Bolton (1987) published in Occassions (1989)

 

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Duple Minor longways
Key: Am, Meter: 3/2
Choreography/Music: Walsh 1707

 

Formation: Double Sicilian Circle
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw 1970

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Choreography/Music: Playford 1721. reconstructions and Douglas and Helen Kennedy (1929) and by Charles Bolton (Retreads 1)

 

Formation: Longways duple minor improper
Key: D, Meter: 3/4
Choreography/Music: Gary Roodman (2012) to tune of the same name by lydia ievins

 

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Choreography/Music: Loretta Holz (2005) to Colony Cove Waltz: by Charlene Thomson(2004) with a variation

 

Formation: Siciilian Circle
Choreography/Music: Brooke Friendly and Chris Sacket (2009) tune by Jonathan Jensen, published in Impropriety Vol. III

 

Formation: Longways duple minor improper
Key: A, Meter: 2/2
Choreography/Music: Gary Roodman (2000)

 

Formation: 3 couple longways set
Choreography/Music: Philippe Callens (1999) to Downland 557 by Pat Shaw

 

Formation: Square of Trios
Choreography/Music: McLain Family

 

Formation: Longways triple minor
Choreography/Music: Slingee

 

Formation: Longways duple-minor proper
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw 1971

 

Formation: Duple minor longways - double progression. 1st couples improper
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: 3 couple longways set
Key: Bb, Meter: 4/4
Choreography/Music: Nathaniell Kynastan, publshed by by J Walsh (1710) as intererpreted by Andrew Shaw (2002)

 

Formation: Circle
Choreography/Music: Kathryn & David Wright (Vesey Collection 1990)

 

Formation: 3 couple circle
Choreography/Music: Loretta Holz

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Jenny Beer (2016) to Bingo Wings by Sarah Gowen

 

Formation: 3 couple longways set
Key: Dm, Meter: 4/4
Choreography/Music: Fried de Metz Herman (1994) to Dance (adapted) by George Vanbrughe (1713)

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly/Chris Sackett (c 2011) to tune Flights of Fancy by Shira Kammen (2011) t, published in Impropriety Vol. IV

 

Formation: 3 couple longways set
Key: G, Meter: 2/2
Choreography/Music: Gary Roodman to a tune by Jonathan Jensenn

 

Formation: Longways duple minor
Choreography/Music: John Ramsay to Birthday Canon by Pablo El Russo

 

Formation: 3 couple longways set
Key: Em, Meter: 6/8
Choreography/Music: Gary Roodman 1999

 

Formation: Longways duple minor
Key: Gm, Meter: 9/8
Choreography/Music: The Dancing Master 9th Ed. 1695

 

Formation: 3 couple longways set
Key: C/Gm, Meter: 6/8
Choreography/Music: Fried deMetz Herman (2002) to The Witch Under the Stars (1995) and Black Cat Jig (1996) by Jonanthan Jenson

 

Formation: Triple minor longways
Key: A, Meter: 2/2
Choreography/Music: Thompson 1778; W.S. Porter, 1931

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowroski 2003 to tune by Chris Rua

 

Formation: Processional Double Circle, women on inside, all facing clockwise
Key: F, Meter: 6/8
Choreography/Music: Millar, Elizabethan Country Dances

 

Formation: Longways duple minor
Key: D major, Meter: 6/8
Choreography/Music: The Dancing Master, 1696-1728

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett (2005) to Islin's Jig by Ruth Anne Fraley (2004) published in Impropriety Vol. 1

 

Formation: 3 couple longways set
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1657 and Cecil Sharp version. See 'Dance Istruction" above

 

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 11thEd (1701), reconstructed by Kalia Kliban (2011)

 

Formation: 3 couple longways set
Key: G, Meter: 4/4
Choreography/Music: Playford 1703, interpretation by Andrew Shaw (2009), and Walsh 1718

 

Formation: 3 couple longways set
Choreography/Music: Susan & Tom Amesse. Music by Rachel Bell

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel (2005) tune by Debbie Jackson

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly & Chris Sackett to a traditional English tune All Among the Barley

 

Formation: 3 couple longways set
Key: C, Meter: 6/8
Choreography/Music: Playford 1651 and backwards

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: Chris Page (2013), here danced to East Tennessee Blues, by Richard Scher

 

Formation: Couple facing couple
Dance Instruction
Choreography/Music: M. Heffer and W. Porter in Maggot Pie to "Magot Pie"

 

Formation: 4 couple longways
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Gail Ticknor to Si Beag Si Mhor by Turlough O'Carolan

 

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Choreography/Music: Playford 1713. Nathaniel Kynaston

 

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Choreography/Music: Nathaniel Kynaston, J. Wasch, L. Hare (1718), reconstrucion by Andrew Shaw (2009)

 

Formation: 6 couple
Choreography/Music: Jean Butler

 

Formation: Circle
Key: G, Meter: 6/8
Choreography/Music: William Campbell(1790)

 

Formation: Longways duple minor improper
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green to Good King Wenceslas

 

Formation: 3 couple longways set
Key: G, Meter: 2/2
Choreography/Music: Johnson 1757

 

Formation: 3 couple longways set
Choreography/Music: Cantelo, Twenty Four American Country Dances (London: 1785)

 

Formation: Longways duple minor
Key: A, Meter: 3/8
Choreography/Music: Thomas Braye, 1699, and as reconstructed by Diana Cruikshank.

 

Formation: Longways duple minor
Key: Gmajor, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume 2003, rev 2007

 

Formation: Longways duple minor
Choreography/Music: Bob Green/ Larry Unger

 

Formation: Longways duple minor
Choreography/Music: Robert Moir

 

Formation: 2 couple circle
Choreography/Music: Elizabeth Goossen

 

Formation: 4 couple longways
Choreography/Music: unknown.

 

Formation: Triple minor longways
Key: A, Meter: 3/8
Choreography/Music: Wilson 1808 reconstruction by Eugenia Eremina-Solenikova

 

Formation: 4 couple longways
Key: F, Meter: 2/2
Choreography/Music: Playford 1651

 

Formation: 4 couple set 1cu and 3cu improper
Key: D, Meter: 2/2
Choreography/Music: Fried de Metz Herman (1991) to Hubbub by Bryon Bonnett

 

Formation: 3 couple longways set
Choreography/Music: Dafydd Arth to The Rights of Man trad. Irish tune(choreogrphed for 3 couples, here adapted for 4 couples.)

 

Formation: Triple minor longways
Key: F, Meter: 2/2
Choreography/Music: Playford 1696, and as reconstructed by Andrew Shaw. 2008

 

Formation: Longways duple minor
Choreography/Music: Feuillet 1706

 

Formation: Longways Duple Minor, inproper
Key: E Dorian, Meter: 9/8
Choreography/Music: Bob Olson to The Butterfly (Trad. Irish)

 

Formation: Longways duple minor improper
Key: Em, Meter: 9/8
Choreography/Music: Gary Roodman (1996)

 

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Choreography/Music: Dancing Master (1710), Bernard Bentley in The Fallibroome Collection, to a tune by Danirl Purcell

 

Formation: Longways triple
Meter: 32 bar reel
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Loretta Holz (2007), tune by Jonathan Jensen(2004)

 

Formation: Triple minor longways
Key: F, Meter: 2/2
Choreography/Music: Dancing Master (Playford) I: 1695-1728. Renovated by Eugenia Eremina-Solenikovoy

 

Formation: Longways set for four couples, progressive
Dance Instruction
Choreography/Music: Pat Shaw to ‘Het Sneeker Klokspel’

 

Formation: Longways duple minor
Choreography/Music: Philippe Callens (2010) to a tune by John Blow (1649-1708)

 

Formation: 2 couple circle , facing but farther away than usual
Dance Instruction
Choreography/Music: Alan Winston (2002) to Cast Away Waltz by Colin Hume 2009

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Bob Green (2008) to a tune by George Paul

 

Formation: 3 couple set with 2nd couple active, waltz mixer
Key: Gm, Meter: 3/4
Choreography/Music: Fried de Metz Herman (1994) to a tune by O'Carolan

 

Formation: Longways set for four couples – Reel
Dance Instruction
Choreography/Music: Pat Shaw to ‘Cecilia’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: 4 couple longways square
Choreography/Music: Philippe Callens to a tune by Jonathan Jensen

 

Formation: Longways duple minor
Key: D, Meter: 4/4
Choreography/Music: Jenna Simpson to Fete de Village

 

Formation: Longways Duple Minor
Choreography/Music: Shanda McDonald

 

Formation: 4 couple longways
Key: Am, Meter: 2/3
Dance Instruction
Choreography/Music: Gary Roodman (2005)to Elizabethan Tango Man by Charlene E. Thomson

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Johnson c. 1750

 

Formation: 4 couple square
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1657, 2 reconstructions by Cecil Sharp

 

Formation: Duple minor longways
Key: D, Meter: 382
Dance Instruction
Choreography/Music: Danccing Master 11ed 1701;Walsh 1718; Charles Bolton (retreads)

 

Formation: 3 couple longways set
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1657 reconstructed

 

Formation: Duple Minor longways. Double progression
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: PAt Shaw to he adopted from a traditional Essex song

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green(2014, rev 2015) to a tune of the same name by Rebecca King (2014)

 

Formation: Longways duple minor improper
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Choreography/Music: Choreography/Music: Playford 1701 with reconstructions by Cecil Sharp, Douglas Kennedy., The Jane Austen Society, Christine Feyeabend, and others. see'"Dance Instruction' above

 

Formation: Circle
Choreography/Music: Brian Wedgbury

 

Formation: 4 couple longways
Choreography/Music: Brooke Friendly and Chris Sackett, 2009, to Shira Kammen's tune 72%, published in Impropriety Vol. III

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly & Chris Sackett (2008) to Top o' the Mornin' by Jonathan Jensen (2007), published in Impropriety Vol. II

 

Formation: Triple minor longways
Choreography/Music: Brooke Friendly and Chris Sackett to “The Goldfinch” by Paul Gitlitz (1999)t, published in Impropriety Vol. IV

 

Formation: Longways duple minor improper
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Fried de Metz Herman

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Dodd 24CD 1795

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1679

 

Formation: Longways duple minor improper
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Naomi Alexander

 

Formation: 4 couple square
Key: D, Meter: 2/2
Choreography/Music: Fried de Metz Herman (1992) to a tune by George Davis

 

Formation: Dupre monitor longways
Key: Dm, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green

 

Formation: 3 couple longways set 2's improper
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume (2012)

 

Formation: 3 couple longways set
Key: Dm, Meter: 3/2
Choreography/Music: Jenny Beer

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Fried

 

Formation: 3 couple longways set
Key: D, Meter: 3/4
Choreography/Music: Fried de Metz Herman (2005) to a tune by O'Carolan

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: unknown (Community Dance Manuals)

 

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Dance Instruction
Choreography/Music: EDM Vol 2, 4th edition,1728. Cecil Sharp reconstruction 1916

 

Formation: Longways duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Bob Green to Sarah's Waltz by Kristen Grahm

 

Formation: 3 couple longways set
Choreography/Music: Ralph Sweet

 

Formation: 3 couple longways set
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

 

Formation: 3 couple longways set
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Playford 1726

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel to tune by Dave Wiesler(2009)

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1776. see "Dance Instruction" above

 

Formation: Longways duple minor
Key: D Dorian, Meter: 4/4
Dance Instruction
Choreography/Music: Victor Skorownski to Ronde II, Mon Amy by Tielman Susato

 

Formation: Longways duple minor
Key: Cm, Meter: 2/2
Choreography/Music: Thomas Bray 1699

 

Formation: 2 trios facing
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 - 1698

 

Formation: Longways duple minor
Key: C, Meter: 4/4
Choreography/Music: Playford 1703, reconstructed by Andrew Shaw

 

Formation: Longways duple minor improper
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski (2007) to 'Cool Breezes' by Leslie Lassiter (2007)

 

Formation: Longways duple minor improper
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Cathy and John Millar (c. 1993)tune adapted from 4th movement of Arcangelo Corelli's opus 5, Sonato #10 1700.

 

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: 3 couple version c. 1725; longways Trad: Peter Kennedy

 

Formation: 3 couple special
Choreography/Music: unknown

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1777; WS. Porter

 

Formation: Longways duple minor improper
Key: G, Meter: 2/2
Choreography/Music: Fried de Metz Herman (1996)

 

Formation: Triple minor longways
Key: Bb, Meter: 2/4
Dance Instruction
Choreography/Music: The Richmond Assemblies c 1790 to Coterie 204 Favorite Country Dances of 1774

 

Formation: Siciilian Circle
Dance Instruction
Choreography/Music: Trad. Mrs. Boyle

 

Formation: Duple minor longways
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Twenty Four New Country Dances, 1702, Douglas and Helen Kennedy, 1929

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Choreography/Music: Brooke Friendly & Chris Sackett (2003) to Cottonwood by Dave Bartley (2002) published in Impropriety Vol. 1

 

Formation: Longways duple minor
Meter: 32 bar jigs
Choreography/Music: Michael Barraclaugh, c 1979

 

Formation: Triple minor longways
Choreography/Music: Thomas Green

 

Formation: 3 couple longways set
Choreography/Music: Sol Weber as modified by Tara Bolker

 

Formation: 3 couple longways set
Choreography/Music: Jenna Simpson (2016) to the tune Little Sky by Guillaume Sparrow-Pepin

 

Formation: Dance for 12
Choreography/Music: Siôn Andreas o Wynedd (Ian A. Engle) to Bourée from Bach's Suite in E Minor for Lute played as a slip jig

 

Formation: 3 couple longways set
Choreography/Music: Loretta Holz to a tune by Dave Wiesler

 

Formation: 3 couple longways set
Choreography/Music: Sascha Glimmann to Soldier Boy by Custer LaRue

 

Formation: Longways duple minor improper
Key: Dm, Meter: 3/4
Choreography/Music: Orly Krasner. 2003 rev 2008

 

Formation: 2 couple circle
Key: C, Meter: 6/8
Choreography/Music: Playford 1651, and as interpreted by Michael Barraclaugh

 

Formation: 3 couple longways set
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Rutherford. 1775

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1703, as interpreted by Colin Hume, Part 2 by Colin Hume

 

Formation: 4 couple square
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: unknown: EFDSS Community Dance Manuals

 

Formation: 3 couple longways set
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Marjorie Heffer & William Porter published in Maggot Pie (1932

 

Formation: Longways duple minor improper
Key: G, Meter: 3/2
Choreography/Music: Jenna Simpson (2016) to the tune Apollo and Daphne (Walsh 1740)

 

Formation: Triple minor longways
Key: Am, Meter: 4/4
Choreography/Music: Mary Pugh (1983) to Maggie Lauder c. 1642)

 

Formation: 3 couple longways set
Choreography/Music: Tom Senior (2014) to Mar's Jig by Mady Newfield, in memory of Mars Longed

 

Formation: Double circle
Choreography/Music: Joseph PImentel to Yonder, Year by Year by Dave Wiesler

 

Formation: Longways trios
Key: C, Meter: 2/2
Choreography/Music: Fried de Metz Herman (1993) to a tune by Jeremiah Clarke

 

Formation: 4 couples in a square set
Dance Instruction
Choreography/Music: Keith Wood April 2010 to waltz esp. "When the Boat Comes In"

 

Formation: triple minor
Dance Instruction
Choreography/Music: Rebekah Valencia; tune by Ruth Valencia (triple minor)

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Choreography/Music: Loretta Holz (2005) to Dancing up a Storm by Charlene Thomson

 

Formation: Duple Minor longways
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw 1973

 

Formation: 4 couple Longways Set
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple minor
Key: Am, Meter: 2/2
Choreography/Music: Gary Roodman (2005) to Pell Mell from Payford 1679

 

Formation: Duple minor longways improper
Key: 4/4, Meter: G
Dance Instruction
Choreography/Music: Elizabeth Goossens (oct 2013)

 

Formation: Longways duple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Choreography/Music: Naomi Alexander

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly & Chris Sackett to Hunana Hornpipe by Jonanthan Jensen, published in Impropriety Vol. II

 

Formation: Long Set, 3 cpls. (orignal: triple minor)
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: EDM 1721, Reconstruction by Andrew Shaw

 

Formation: Circle
Dance Instruction
Choreography/Music: Pat Shaw (1975)

 

Formation: 3 couple longways set
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Ellen Taylor

 

Formation: Longways duple minor
Key: C, Meter: 2/4
Choreography/Music: Jonathan Ogle, 2003 to 'Banks of Inverness

 

Formation: Longways duple minor
Key: C, Meter: 2/4
Dance Instruction
Choreography/Music: Sharon McKinley (2007) to her tune of the same name

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985)

 

Formation: Longways duple minor
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1702 and a reconstruction by Eugenia Eremina-Solenikovoy.

 

Formation: Longways duple minor
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Unknown, pub in Sheffield,From Two Barns, v3

 

Formation: 3 couple longways set
Key: c, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2009) to The Serpent with Corners by Thomas Bending (1999)

 

Formation: 3 couple longways set. Mixer
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Charles Bolton (1983)

 

Formation: 4 couple longways
Choreography/Music: Kimberly, Ellie & Chava Hall/Mary Hall

 

Formation: Longways duple minor improper
Key: D, Meter: 2/2
Choreography/Music: Gary Roodman(2009)

 

Formation: Round for as many as will
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: 4 couple longways
Choreography/Music: Dance and tune by Naomi Alexander (1998)

 

Formation: Dorset 4-hand set
Key: G, Meter: 2/4
Choreography/Music: Community Dance Manuals

 

Formation: Longways duple minor improper
Key: A, Meter: 2/2
Choreography/Music: Gary Roodman (1999)/Gavotte by Pierre Caroubel (c. 1600)(?)

 

Formation: 3 couple longways set
Key: A, Meter: 2/2
Choreography/Music: Gary Roodman to a tune by David Wiesler

 

Formation: Sicilian Circle or duple minor imprpoer
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Elizabeth Goossen

 

Formation: Longways duple minor
Key: Bb, Meter: 4/2
Dance Instruction
Choreography/Music: Preston 1791

 

Formation: Longways triple or duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: The Dancing Master 17th Ed. Vol. I 1721, reconstructed by Douglas and Helen Kennedy, 1929

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: The Dancing Master 17th Ed. Vol.I 1721

 

Formation: Longways duple minor
Key: F, Meter: 4/4
Choreography/Music: Young 1710, reconstruction by Andrew Shaw

 

Formation: Longways duple minor
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson (1744)

 

Formation: Longways duple minor
Key: Bb, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson (1757) as reconstructed by Charles Bolton in Retreads 2 (1992)

 

Formation: Longways duple minor
Key: Cm, Meter: 12/8
Dance Instruction
Choreography/Music: Playford (1713) as We'll Wed and We'll Bed, reconstruction by Bernatd Bentley (1962)

 

Formation: 3 couple longways set (was triple mimor)
Key: C, Meter: 4/4
Choreography/Music: Ignatius Sancho 1779

 

Formation: 3 couple longways set (was triple mimor)
Key: Gm, Meter: 4/4
Choreography/Music: Bernard Bentley

 

Formation: ‘Becket’ set with another ‘Becket’ set outside
Dance Instruction
Choreography/Music: Pat Shaw to ‘Sarabande op de Duchesse’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: Longways duple minor
Choreography/Music: Bob Green to I’m Takin’ My Time by Larry Unger

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Bernard Bentley

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Choreography/Music: Cahusac 1801, interp. A. Simons 1970;,triple minor reconstruction:Reconstruction by Eugenia Solenikova and other variants. See 'Dance Instruction' above

 

Formation: 4 couple square
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set 2's improper
Key: G Major, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume to a tune by Roger Davidson (1991)

 

Formation: Longways duple minor improper
Key: A, Meter: 4/4
Choreography/Music: Brian Wedgbury (1972)

 

Formation: Long Set. 3 cpls (original: triple minor), Progression 3-1-2
Key: C, Meter: 4/4
Choreography/Music: Walsh 1798, Recontruction by Andrew Shaw

 

Formation: 3 couple longways set
Key: F, Meter: 3/4
Choreography/Music: Bruce Hamilton (an adaptation of John Drewry's The Dunsmuir Strathspey) tune Breakaway Heart by Kathy Talvitie

 

Formation: 4 couple reel
Choreography/Music: Communiity Dance manuals

 

Formation: 3 couple longways set
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Neal Collection(c. 1726)

 

Formation: 8 couples in a set — A line of two couples facing another line of two couples, behind which are two more lines of couples facing each other
Key: G Major, Meter: 2/2
Dance Instruction
Choreography/Music: Ernst van Brakel to a tune by Colin Hume (1990)

 

Formation: Longways duple minor, 2's improper
Key: G Major, Meter: 3/4
Choreography/Music: Peter André for Bill and Daphne Holland’s 60th wedding anniversary to Langtan efter Sally ( Longing for Sally) by Bruce Sagan.

 

Formation: Triple minor longways
Key: A, Meter: 9/8
Choreography/Music: Thompson 1800

 

Formation: Processional Double Circle, women on inside, all facing clockwise
Key: G, Meter: 6/8
Choreography/Music: Unknown. Published in John Fitzhugh Milar, Elizabethan Country Dances

 

Formation: Longways duple minor
Key: G/Em, Meter: 3/2
Dance Instruction
Choreography/Music: Philippe Callens, 2000 to Midwinter Blossom by Bob Pasquarello, 1989

 

Formation: Longways duple minor
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Morse (oboe), Laura Stein (piano) and Kris Gaumer (Bodhran)

 

Formation: Triple minor longways
Key: D, Meter: 6/8
Choreography/Music: Thompson 1783, 1788

 

Formation: 3 couple longways set
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Kevin Prigmore to the tune 'Serpent with Corners' (Thomas Bending, 1999)

 

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Erna Lynn Bogue (1994) to Miss Gordon of Gight by Issac Cooper (1790)

 

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Dance Instruction
Choreography/Music: J. Johnson Caledonian Country Dances 1733, reconstruction by Bernard Bentley (1977)

 

Formation: Longways duple minor
Choreography/Music: Playford 1698 reconstructed by Andrew Shaw

 

Formation: Duple minor longways
Key: G, Meter: 3/4
Choreography/Music: J. Walsh, 24 Country Dances for the Year 1727

 

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Colin Hume (1991)

 

Formation: 3 couple longways set
Choreography/Music: Fried de Metz Herman (1984)

 

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh 24CD,1712 as interp. by Tom Cook, to Come Let Us Be Merry 1975

 

Formation: Becket circle
Choreography/Music: Loretta Holz?

 

Formation: Siciilian Circle 3 couples
Key: D, Meter: 2/2
Choreography/Music: Gary Roodman(2003)' tune by Jonathan Jensen

 

Formation: Longways duple minor
Choreography/Music: Alan Simpson-Vlach to Murray's Passage by Debbie Jackson

 

Formation: 4 couple longways set
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume(2009) to a tune by Brian Stone

 

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Choreography/Music: Kynaston (1690; ) Andrew Shaw recontruction (2006)

 

Formation: 4 couple square
Key: D, Meter: 3/4
Choreography/Music: Antony Heywood, 1990

 

Formation: 4 couple square
Choreography/Music: Loretta Holz to a tune by Charlene Thomson

 

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Choreography/Music: Playford 1701

 

Formation: Longways duple minor improper
Key: gM, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2013);,tune by Martha Stokely (2012)

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Fried de Metz Herman to A Soldier and a Sailor (Walsh - 1718) Dance written for Andrew Shaw

 

Formation: 3 couple circle
Key: Bm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1670

 

Formation: Longways duple minor
Key: Gm, Meter: 3/2
Dance Instruction
Choreography/Music: Walsh & Hare, Twenty-four New Country Dances for the year 1708 as reconstucted by Andrew Shaw c2009

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Choreography/Music: Playford 1696

 

Formation: Longways duple minor improper
Choreography/Music: Terry Glasspool to tune of the same name by Charlene Thomson<

 

Formation: 3 couple longways set, progressive - reel
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw (1972)

 

Formation: 8 couples in a set — A line of 2 couples facing another, behind which are two more lines facing lines
Dance Instruction
Choreography/Music: Keith Wood November 2013 TO 4X32 bar reels

 

Formation: Longways duple minor
Key: Bm, Meter: 3/4
Dance Instruction
Choreography/Music: Bob Green to tune by Larry Unger (was Flowers for Bridget)

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Neal c. 1726

 

Formation: 4 couple square
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 (Faine through EDM 1670, then Fain)

 

Formation: Longways triple or duple minor
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Walsh 1728 reconstructed by Tom Cook (1979)

 

Formation: Longways duple minor improper
Key: C, Meter: 3/4
Choreography/Music: Gary Roodman (1996); to a tune by Michael Praetorius

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Scott Higgs; tune by Thomas Farmer (1683)

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Walsh 1718

 

Formation: 3 couple longways set (was triple mimor)
Key: Gm, Meter: 9/8
Choreography/Music: Thompson 1773 to tune by Thomas Arne

 

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Anna Bidder (c. 1969) to A'rovin

 

Formation: 3 couple longways set, progressive
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1765 (triple minor), reconstucted as 3 couple dance by W.S. Porter (1931). see 'Dance Instruction' above

 

Formation: Longways duple minor improper
Key: Bm, Meter: 3/4
Choreography/Music: Gary Roodman (2003) to tune of the same name by Peter Jung

 

Formation: Longways duple minor improper
Key: Bm, Meter: 3/4
Dance Instruction
Choreography/Music: Dan Seppler, 2012 to Farewell Marian

 

Formation: Longways duple minor
Key: A, Meter: 9/8
Choreography/Music: Joseph Pimentel; tune by Adam Broome

 

Formation: 3 couple longways set
Key: G, Meter: 3/4
Choreography/Music: Mr. Nathaniel Kynaston in J. Walsh J Hare 1718, reconstructed by Andrew Shaw (2009)

 

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Bob Lilley(1999)

 

Formation: Sicilian Circle;1st couple face counterclockwise
Key: C, Meter: 6/8
Choreography/Music: Fried de Metz Herman (2005)to Gloria by A. Vivaldi ca. 1708

 

Formation: 4 couple longways set
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume to a tune by Dave Brown (2002)

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Michael Cicone

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Walsh & Essex, For the Improvement of Music 1710

 

Formation: Longways duple minor
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Joyce Walker to Nancy's Fancy by Fred Grimsha

 

Formation: Longways duple minor
Choreography/Music: Loretta Holz

 

Formation: Longways duple minor improper
Key: D, Meter: 4/4
Choreography/Music: Alan Winston (2007) tune by Jon Berger

 

Formation: Square
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goosen to her tune "Caoline's Fancy"

 

Formation: Longways duple minor
Choreography/Music: Rosemary Lach

 

Formation: Round for 4 couples
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Key: D, Meter: 3/4
Choreography/Music: Gary Roodman (2008)/Charlene Thomson

 

Formation: 4 couple longways set
Key: Em, Meter: 9/8
Dance Instruction
Choreography/Music: Gary Roodman (1996/)A Fig for a Kiss (trad.

 

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Dance Instruction
Choreography/Music: Fried Herman (1991) to 'Lady Gregory's Fair Flower'

 

Formation: Longways duple minor
Key: A, Meter: 6/8
Choreography/Music: Playford 1651

 

Formation: 2 couples longways
Choreography/Music: Loretta Holz

 

Formation: Triple minor longways
Key: D, Meter: 2/2
Choreography/Music: Dancing Master 1788-1833, John Griffiths

 

Formation: Longways duple minor improper
Key: Am, Meter: E
Choreography/Music: Fried de Metz Herman the Lover's Petition by John Barrett 1700

 

Formation: Longways duple minor improper, 1's alternating propriety
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2009)

 

Formation: Longways duple minor
Key: G, Meter: 3/2
Choreography/Music: Brian Wedgbury

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Unknown, American Revolutionary War period

 

Formation: Duple minor longways
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Kalia Kliban to "A Bruxa" by Anton Seoane.

 

Formation: Longways duple minor
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Dance and music by Colin Hume (2005); written for the band :focuspocus Dan and Caroline Hollingshurst

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Brook Friendly and Chris Sackett , published in Impropriety Vol. III

 

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Kynaston, interpretation by Andrew Shaw

 

Formation: 4 couple longways, 1st couple on centre line man at top, lady at bottom ? ?
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Julian Hill to a tune by Eileen Muscroft (2004)

 

Formation: Longways duple minor improper
Key: G, Meter: 3/2
Choreography/Music: Gary Roodman (2013) to a tune by Debbie Jackson.

 

Formation: 4 couple longways
Key: G/A, Meter: 6/8
Choreography/Music: Traditional; pub. in Hamilton, EFSS Comunity Dance Manual

 

Formation: 3 couple longways set
Choreography/Music: Mary Devlin to McFarland's Jug

 

Formation: Longways duple minor improper
Choreography/Music: Fried de Metz Herman

 

Formation: 3 couple longways set
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Pat Shaw (1972)

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1709

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Steve Sargent to tune by Daron Douglas

 

Formation: Longways duple minor
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Colin Hume (2009) to a trad. Irish slip jig

 

Formation: Triple minor longways (or 3 couple set)
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson 1778

 

Formation: Triple minor longways
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: David and Kathryn Wright/Edgeworth Bumpkins trad

 

Formation: 3 couple longways set
Key: Gm, Meter: 2/2
Choreography/Music: W, Pearson and John Young, 1718. Interp. as 3-couple set by Andrew Shaw

 

Formation: 3 couple longways set
Key: D, Meter: 2/2
Choreography/Music: Fried deMetz Herman to Orielton House

 

Formation: Triple minor longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: The Dancing Master 1698 (10th Edition)

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: Cm, Meter: 6/8
Choreography/Music: Don Theyken in 2008, to Doctor Who Pirate Jig by Martha Stokely

 

Formation: 6 couple longways
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: unknown

 

Formation: 4 couple longways
Key: A, Meter: 2/4
Choreography/Music: Jenna Simpson to tune Shepherd and Shepherdess (1799)

 

Formation: Four couple set
Key: C, Meter: 3/4
Choreography/Music: Orly Krasner to Judy’s Jubilation by Dave Wiesler

 

Formation: Longways duple minor
Key: C, Meter: 4/4
Choreography/Music: Playford 1688 inter. by Tom Cook

 

Formation: Circle
Choreography/Music: Tune and dance c2014 by Sharon McKinley

 

Formation: Circle (from 3 to 20+ couples)
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Choreography/Music: Playford 1651 see 'Dance Instruction' above

 

Formation: Longways duple minor improper
Key: D, Meter: 6/8
Choreography/Music: Pierre Trappeniers c. 1777 reconstriction by Philippe Callens (2002)

 

Formation: Longways duple minor, 2's improper
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2012 ) to G Minor Jig, © Martha Stokely (2012)

 

Formation: 2 couple circle
Choreography/Music: Fried de Metz Herman

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Philippe Callens to the tune “Duke of Buckingham,” by Geoff Mendham.

 

Formation: Longways duple minor
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: EDM 1696-1728; Playford 1698 to Hunt the Squirrel; Cecil Sharp 1922

 

Formation: 3 couple longways set
Key: A, Meter: 6/8
Choreography/Music: Daniel Herr 1975, to  Greenholm, trad.

 

Formation: 3 couple longways set
Choreography/Music: Chris Sackett and Brooke Friendly to Kuparai Eeva

 

Formation: Longways duple minor
Choreography/Music: Paul Harris/Samuel Sim for BBC'sEmma 2009 Reconstruction here by M.Angad Gaur. JASNL

 

Formation: 4 couple square
Key: G, Meter: 4/4
Choreography/Music: Peggy Roe to a Lancashire Morris dance tune by the same name and a variant source unknown.

 

Formation: Longways duple minor improper
Key: Em, Meter: 4/3
Dance Instruction
Choreography/Music: Fried deMetz Herman (1988) to Bonnie George Campbell and Wandering Willie

 

Formation: Duple Minor longways
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw (1974)

 

Formation: Longways duple minor
Key: Gm, Meter: 6/4
Choreography/Music: Thomas Bray 1699

 

Formation: 3 couple longways set
Key: Gm, Meter: 4/4
Choreography/Music: Ron Coxall to a tune by Heather Bexton

 

Formation: 2 couple circle
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set
Key: G, Meter: 4/4
Choreography/Music: Thomas Bray 1699 tune by John Lenton

 

Formation: Longways duple minor
Choreography/Music: Charlene Thomson

 

Formation: 4 couple square
Key: G, Meter: 4/4
Choreography/Music: Yorkshire Trad. Pat Shaw

 

Formation: Longways duple minor
Choreography/Music: John Gardiner-Garden

 

Formation: 4 couple longways
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set
Key: D, Meter: 2/2
Choreography/Music: Philippe Callens - 1986, to Spagnolette Reformeert (Dutch traditional tune)

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Fried de Metz Herman/tune by John Stapledon?

 

Formation: 4 couple square. Couples progress one position counterclockwise
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Philippe Callens/ Jonathan Jensen

 

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (1992)/Rondo Alla Turca, W.A. Mozart

 

Formation: Duple minor longways
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon McKinley

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Fried deMetz Herman (2000) to Bryant Aveniue Blues by George Davis (2000)

 

Formation: Longways duple minor
Key: G, Meter: 9/8
Choreography/Music: Loretta Holz (2006) to Joyful Jig by Charlene Thomson

 

Formation: Longways duple minor
Choreography/Music: Elias Howe

 

Formation: Longways duple minor
Key: C, Meter: 9/8
Choreography/Music: Sol Weber (2006) to a traditional South Wales tune

 

Formation: 3 couple longways set
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Choreography/Music: Thomas Bray 1699

 

Formation: Duple minor longways
Dance Instruction
Choreography/Music: Keith Wood April 2012 to 16 bar march esp. Hagsätra Brudmarsch by Väsen

 

Formation: Longways duple minor
Key: DM, Meter: 4/4
Choreography/Music: Melissa Running, tune by Josh Burdick

 

Formation: Triple minor longways (or 3 couple set)
Key: DM, Meter: 6/8
Choreography/Music: Neal c. 1726

 

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1721, reconstructed by Douglas and Helen Kennedy (1919)

 

Formation: 3 couple longways set
Choreography/Music: Elizabeth Goossen

 

Formation: 3 couple longways set
Key: A, Meter: 3/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: Dm, Meter: 6/4
Choreography/Music: The Dancing Master 17th Ed. Vol. I 1721

 

Formation: Longways duple minor improper
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Eric Leber

 

Formation: Single progression longways mixer
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 (longways and circle)

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Choreography/Music: Mary Devlin (2001) to tune by Liz Donaldson

 

Formation: Triple minor longways
Key: Cm, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1710, reconstructed by Bernard J. Bentley (1962)

 

Formation: Duple minor longways – Reel
Dance Instruction
Choreography/Music: Pat Shaw to McDonald’s Reel

 

Formation: Longways duple minor improper
Key: Gm, Meter: 3/2
Choreography/Music: Gary Roodman (2005)/adapted from Virgin's Frolic(Playford 1713)

 

Formation: 2 couples longways
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (1992)/Bouree from G.F Handel's Water Music, Suite No.2 in D

 

Formation: Longways Dupre minor
Key: Dm, Meter: 2/4
Dance Instruction
Choreography/Music: Paula Kelly (2007) to "Koker-yes" by Lar Dugan (2007

 

Formation: 3 couple longways set (was triple mimor)
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson, Twenty Four Country Dances, 1777

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Choreography/Music: Nathaniel Kynaston, 1716

 

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green. Tune by Jonathan Jensen (2014)

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1696

 

Formation: 3 couple longways set (was triple mimor)
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Walsh 1736

 

Formation: 3 couple longways set
Key: C, Meter: 3/2
Choreography/Music: Published: Dancing Master (Playford) I: 1703-1728 Renovated Eugenia Eremina-Solenikovoy

 

Formation: Duple minor longways
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple-minor proper
Dance Instruction
Choreography/Music: Pat Shaw to 'Harlequin' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen,

 

Formation: Longways duple minor
Choreography/Music: Johnson c 1742 / reconstuction by Andrew Shaw (2012)

 

Formation: Longways duple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: Neal c. 1726

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Chris Sackett and Brooke Friendly (2006) to La Maison de Glace by Rejean Brunet, published in Impropriety Vol. II

 

Formation: Longways duple minor
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Jenny Beer

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Choreography/Music: Walsh 1718

 

Formation: 4 couple longways
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Choreography/Music: Orly Krasner/ Jonathan Jensen

 

Formation: 2 couples longways
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Choreography/Music: Lena Rees and John Lagden c. 1983

 

Formation: 4 couple square
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw/ trad tune

 

Formation: 4 couple longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume for Helena Moss on the occasion of her wedding to Jim Crouch, 26Mar1988

 

Formation: Four–couple longways Set – Jig
Dance Instruction
Choreography/Music: Pat Shaw 1975

 

Formation: Longways duple minor
Key: C, Meter: 2/4
Choreography/Music: Bernard Bentley

 

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Choreography/Music: Gary Roodman (1999)

 

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Dance Instruction
Choreography/Music: Gary Roodman (2003)

 

Formation: 7 dancers
Choreography/Music: Alan White

 

Formation: 4 couple longways
Meter: 12/8
Dance Instruction
Choreography/Music: Lord Iulstan Sigewealding/ Heather Rose Jones 1990

 

Formation: 4 couple longways
Choreography/Music: written by Heather Rose Jones, arranged by Paul Butler,c.1990)

 

Formation: Four couple Longways Set – Reel
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw, 1974

 

Formation: 2 couples longways
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 2 couples longways
Key: C, Meter: 6/8
Choreography/Music: Cecil Sharp (Hey Boys Up Go We modified/renamed by FolkinMotion

 

Formation: Longways duple minor
Key: Em, Meter: 3/8
Dance Instruction
Choreography/Music: Brooke Friendly and Chris Sackett (2003) to Spatter the Dew, trad. Irish, published in Impropriety Vol. 1

 

Formation: Longways duple minor
Key: C, Meter: 4/4
Choreography/Music: Pat Petersen (2014) to Highlander's Farewell (trad).

 

Formation: Triple minor longways
Key: C, Meter: 4/4
Choreography/Music: John & William Neal, 1726

 

Formation: Longways duple minor
Key: E, Meter: 2/4
Choreography/Music: Mr. Nathaniel Kynaston. Walsh. Hare (1718) reconstruction by Andrew Shaw (2008)

 

Formation: 2 couples longways
Key: Em, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Choreography/Music: Ian Hughes 1999 to Wheatsheaf Tavern

 

Formation: Longways duple minor
Key: F, Meter: 4/4
Dance Instruction
Choreography/Music: Wright 1740

 

Formation: Longways duple minor
Key: Bb, Meter: 3/2
Dance Instruction
Choreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy, see 'Dance Instruction' above

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Brooke Friendly and Chris Sackett (2005); to Le Brandevin by Robert Amyot (1990 & 2005),published in Impropriety Vol. 1

 

Formation: Longways duple minor
Key: Gmx, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman(1999)/Jonathan Jensen

 

Formation: Longways duple minor
Key: Bb, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman(2003)/Jonathan Jensen

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Preston, 1794, reconstruction by Bert Simons c. 1991

 

Formation: 3 couple longways set
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Thompson 1786

 

Formation: Longways duple minor improper
Key: C modal, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (2003)/Branle de Cheveaux (T. Arbeau, 1589)

 

Formation: Four couple longways; 2's and 4's improper
Key: G, Meter: 4/4
Choreography/Music: Philippe Callens to Squire Parsons by Turlough O'Carolan

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Jacqueline Schwab & Charles Hamond, 1974. Tune: Dance to Your Daddy.

 

Formation: 4 couple longways square
Key: C, Meter: 6/8
Choreography/Music: Playford 1657

 

Formation: Triple minor longways
Key: G, Meter: 4/4
Choreography/Music: Playford 1709

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Choreography/Music: Playford 1721; Fallibroome Collection, Bernard Bentley

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Walsh, 1713, interpreted by Michael Barraclaugh, c 1970)

 

Formation: longways triple minor
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Preston 24 Country Dances for the Year 1794

 

Formation: 4 couple square
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Duple minor longways
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson, 24 Country Dances for the Year 1804

 

Formation: Circle
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Katherine Creelman Skrobela(1969) to a tune by Thomas Campion (1601)

 

Formation: Duple minor longways
Dance Instruction
Choreography/Music: Pat Shaw 1974 to ‘Nu wil ik een liedeke zingen’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: 4 couple square
Key: D, Meter: 6/8
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Fried deMetz Herman (1990) to an adaptation of Handel's Impertinence

 

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Brooke Friendy & Chris Sackett (1999) to Millisons Jegge, Playford 1651,published in Impropriety Vol. 1

 

Formation: Longways duple minor improper
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Robin Hayden

 

Formation: Circle
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume (1982) to Indian Queen

 

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy. see 'Dance Instruction" above

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Elizabeth Goosen, 2002 to Susan's Waltz by Jonathan Jensen, 1985

 

Formation: Longways duple minor
Choreography/Music: Loretta Holz/ Dave Wiesler

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Charles & Samuel Thompson 1772

 

Formation: Longways duple minor, gender neutral
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Miriam Newman to Haapavesi Waltz by Keith Murphy

 

Formation: 4 couple longways
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman (1999)/Turlough O'Carola

 

Formation: 4 couple square
Key: F, Meter: 3/4
Choreography/Music: Gary Roodman to tune of the same name by Peter Barnes (2012)

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Walsh c.1735/ Interpr. Tom Cook

 

Formation: Longways triple or duple minor
Key: G, Meter: 9/8
Choreography/Music: Asa Willcox called as contra by Ralph Page

 

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Choreography/Music: Colin Hulme to Lull Me Beyond Thee

 

Formation: 3 couple longways set
Choreography/Music: Shanda McDonald

 

Formation: 3 couple longways set
Choreography/Music: Brook Friendly and Chris Sackettt, published in Impropriety Vol. IV

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Choreography/Music: Jenny Beer, 2015/tune by Jonathan Jensen

 

Formation: Longways duple minor
Choreography/Music: Jan Dale/John Stapledon

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: 8 different dances by this name were published between 1756 and 1809. This version is from Trumball, Gentleman and Lady's Companion (Norwich CT 1708)

 

Formation: Longways duple minor
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1721 to "Bolt the Door 1686

 

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1702; Diagonal hey variation; Renovated by Eugenia Eremina-Solenikovoy. see 'Dance Instruction' above

 

Formation: 4 couple longways set
Dance Instruction
Choreography/Music: Bob Green

 

Formation: Longways duple minor
Key: Fm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1695, (interp Cecil Sharp) to tune Under and Over Playford 1652 (trad); interepretation by Pat Shaw

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Choreography/Music: Raoul-Auger Feuillet English Country Dances from the French Court, 1716

 

Formation: Longways duple minor
Key: F, Meter: 2/2
Choreography/Music: Playford 1670 and variants

 

Formation: 4 Couple Longways
Dance Instruction
Choreography/Music: Philippe Callens (2010) to"Jane's Song' by Charlene Thompson

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Choreography/Music: English Dances for the Dutch Court 1755

 

Formation: Longways duple minor
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: tradtional - published in ​Country Dances of Colonial America​​ (John Millar)

 

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: Called as contra by Ralph Page

 

Formation: Round for 3 or more couples
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651; Cecil Sharp 1911 inter, zesty variation, Russian reconstruction. see 'Dance Instruction' above

 

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 17th Ed Vol1, 1721, reconstructed by Charles Bolton in Retreads 8

 

Formation: Longwas duple minor in canon
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1965)

 

Formation: Longways duple minor improper
Choreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. II

 

Formation: Longways duple minor improper
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski to Lulaje Jezuniu/Wesola Novine, traditionl Polish Carols

 

Formation: Duple Minor longways
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw 1974

 

Formation: Longways Duple Minor, improper
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Dance and tune by Naomi Alexander (1992)

 

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Choreography/Music: Playford 1702

 

Formation: 3 couple longways set
Key: Am, Meter: 3/7
Dance Instruction
Choreography/Music: Dancing Master 1719; Reconstruction by Fried deMetz Herman

 

Formation: Longways duple minor improper
Key: Am, Meter: 4/4
Choreography/Music: Gary Roodman (2008)

 

Formation: Longways duple minor improper
Choreography/Music: Brooke Friendle & Chris Sackett (2012) to Mother’s Day Kas-a-Barh” by Shira Kammen and Ray Price (1999)t, published in Impropriety Vol. IV

 

Formation: Longways duple minor improper
Key: D, Meter: 6/8
Choreography/Music: Philippe Callens. l996

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume (2000) to trad. tune

 

Formation: Longways duple minor
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1690 reconstruction by Cecil Sharep (1916)/Purcell; variation in claps; unattributed variations. see 'Dance Instructions' above

 

Formation: Triple minor longways
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Wilson 'Pleasures of Terpsichore' 1810

 

Formation: Longways duple minor improper
Key: Gm/Em, Meter: 6/8
Choreography/Music: Scott Higgs to tune of the same name by John Kirkpatrick

 

Formation: Longways duple minor
Key: Bb, Meter: 3/2
Choreography/Music: Walsh 1714 reconstructed by Andrew Shaw (2016)

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Sharon Green 2011/ Jonathan Jensen's Drifting on the Dreamy Juniata

 

Formation: Double longways Becket
Key: A, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw 1974

 

Formation: Longways duple minor improper
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2006) to Silly Jig by Jonathan Jensen

 

Formation: Longways duple minor improper
Choreography/Music: Orly Krasner/ John Austin

 

Formation: Longways duple minor improper
Key: Gm, Meter: 6/8
Choreography/Music: Walsh 1718

 

Formation: 3 couple longways set
Key: Dm, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1727; Tom Cook (1975)

 

Formation: 3 couple circle
Key: Gm, Meter: 6/4
Choreography/Music: Playford 1728

 

Formation: Duple Minor longways – Reel
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw 1964

 

Formation: Triple minor longways
Key: Em, Meter: 3/2
Dance Instruction
Choreography/Music: Jenny Beer, 2004 to traditional tune.

 

Formation: Longways duple minor improper
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1698 (as The King of Poland

 

Formation: 3 couple longways set
Key: Bb, Meter: 3/2
Dance Instruction
Choreography/Music: Playford v2 1713-28, reconstruction by Frank Van Cleef

 

Formation: 4 couple longways
Choreography/Music: Alan Davies to Planxty Irwin by O'Carolan

 

Formation: 3 couple longways set
Key: D/A, Meter: 2/2
Choreography/Music: Fried deMetz Herman (1984)

 

Formation: 3 couple longways set
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Gary Roodman (1987)/La Basque by M. Marais

 

Formation: Longways duple minor
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Neal, 1726

 

Formation: Longways duple minor
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: A Simons (Kentish Hops) 1961. dance from Noel Park) Voight 1809/Fentum 1810; music (Knowles Park ) Bishop 1788.

 

Formation: 4 couple square
Key: Dm, Meter: 3/2
Dance Instruction
Choreography/Music: Pat Shaw to ‘Gaillarde Koepoort’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: 4 couple square
Choreography/Music: Dave Ricker 1982

 

Formation: Duple minor longways
Key: Dm, Meter: 3/2
Dance Instruction
Choreography/Music: The Dancing Master 3rd Ed. App. 1665; interp. Cecil Sharp

 

Formation: 4 couple longways
Choreography/Music: Bill Thomas

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Thomas Wilson, The Treasures of Terpsichore (1809)

 

Formation: Longways duple minor
Key: Bm, Meter: 3/2
Choreography/Music: Rich Galloway

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Dancing Master 1788-1833, John Griffiths

 

Formation: Longways duple minor
Key: E, Meter: 3/4
Choreography/Music: Dan Seppeler (ca. 2012) to trad. tune

 

Formation: 4 couple longways improper
Key: Cm, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman, 2016, to Mylne's Court by Rachel Bell

 

Formation: 3 couple longways set (was triple mimor)
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1774

 

Formation: Longways duple minor
Key: C, Meter: 6/4
Choreography/Music: Thomas Bray 1699 reconstruction by Diana Cruckshenk

 

Formation: Longways duple minor improper
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: David Macemon and Cynthia Stenger/L is for... by Bob Pasquarello

 

Formation: 3 couple longways set
Key: Em, Meter: 3/4
Choreography/Music: Fried de Metz Herman (1996)/ Green Fingers by John Stapledon (1968)

 

Formation: 3 couple longways set
Choreography/Music: Peggy Roe 2014

 

Formation: Longways duple minor
Key: C, Meter: 4/4
Choreography/Music: Loretta Holz to Hemlock Grove by Charlene Thompson

 

Formation: 3 couple longways set, or triple minor
Key: D, Meter: 4/4
Choreography/Music: Fried de Metz Herman 1989. Here modified from 3 Couple to LW Duple

 

Formation: Longways duple minor
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: C. Wheatstone c. 1811

 

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: Bob Green to Lisa by Larry Unger

 

Formation: Triple minor longways
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Bishop 1788

 

Formation: Longways duple minor
Choreography/Music: Brook Friendly & Chris Sackett to Bob Mills' Draught by Peter Barnes, published in Impropriety Vol. III

 

Formation: 4 couple square
Choreography/Music: Thomas Budd. 1780

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Scott Higgs/ Neil Gow(Miss Grace Haye's Delight, 18th c)

 

Formation: 5 couple set progressive
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw (1975)

 

Formation: Longways duple minor improper
Key: A, Meter: 3/4
Dance Instruction
Choreography/Music: Sharon Green (2009) to Bluesy Waltz by Jonathan Jensen(1995)

 

Formation: Longways duple minor improper
Key: C, Meter: 6/8
Choreography/Music: Gary Roodman (2015) tune by Corelli

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1690/Henry Purcell and and Feuillet: Recueil de Contredance. 1706

 

Formation: Longways duple minor
Choreography/Music: Carmen Giunta & David Smukler / Charlene Thomson

 

Formation: 2 couple set
Dance Instruction
Choreography/Music: Pat Shaw, 1977

 

Formation: Longways duple-minor proper; double progression
Dance Instruction
Choreography/Music: Pat Shaw to 'Nachtegaaltje kleijne' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: Improper Double Progression 
Dance Instruction
Choreography/Music: Bob Green/ Jerry Livingston

 

Formation: Longways duple minor
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Sharon Greene (2012)

 

Formation: Longways duple minor
Key: D, Meter: 2/4
Choreography/Music: Bernard Bentley, Fallibroome Collection

 

Formation: Longways duple minor
Choreography/Music: Ron Coxall to the tune “Deep Water” by Heather Bexton

 

Formation: Sicilian Circle
Key: F, Meter: reel
Dance Instruction
Choreography/Music: Pat Shaw (1971)

 

Formation: Longways duple minor
Key: A, Meter: 2/4
Dance Instruction
Choreography/Music: Preston 1791

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw (ca1974)

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett; tune by Dave Wiesler

 

Formation: Longways Duple Minor, improper
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Orly Krasner to her tune "Lucy's Waltz"

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Choreography/Music: Rich Jackson (1989) to Jump at the Sun by John Kirkpatrick

 

Formation: 4 couple longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651. Reconstruction Cecil Sharp 1910

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley

 

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Waksh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II).

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Thomas Bray 1699

 

Formation: Longways triple or duple minor
Key: D, Meter: 2/4
Choreography/Music: Altered here to LW duple from LW triple. Asa Willcox 1794

 

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Choreography/Music: Playford 1686, interp. by Taras Sleptsov (Traianon studio, Moscow) 2000

 

Formation: 3 couple longways set
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Fried de Metz Herman, reconstructed as 3-couple set from Playford 1790/Fallibroome

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Lovely Nancy

 

Formation: Longways duple minor improper
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Jim Kitch to The Black and the Grey aka Trip to Kilburn

 

Formation: Longways Duple Minor
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Thomas Bray (1699) to "The Lover's Luck" attributed to Thomas Tollett

 

Formation: Longways duple minor
Choreography/Music: Melissa Running

 

Formation: 4 couple longways set; 3rd and 4th couples improper
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651; Reconstruction by Gwommy

 

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1695

 

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Choreography/Music: Preston 24CD,1794

 

Formation: Longways duple minor improper
Key: D, Meter: 3/4
Choreography/Music: John Wood, published in his collection Ross of Mull. It is danced here to Ashokan Farewell by Jay Ungar

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Thomas John Senior

 

Formation: Round for 4 couples
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor Becket
Choreography/Music: Mark Hillegonds

 

Formation: Longways Duple Minor,proper
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Nicolas Broadbridge, 1995

 

Formation: Round for 6, in 3 parts
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 4th Ed (1670)

 

Formation: Longways for 4 to 6 couples
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: The Dancing Master 1675; Playford 1651

 

Formation: 4 couple longways
Key: D, Meter: 2/2
Choreography/Music: Tom Cook/ Brian Jenkins

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1690

 

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Choreography/Music: The Dancing Master Vol II 1696 reconstruction by Fried de Metz Herman

 

Formation: 4 couple longways
Choreography/Music: Elizabeth Goossen

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Choreography/Music: 1706, Pat Shaw interpretation 1930

 

Formation: Longways duple minor
Choreography/Music: Bob Green to "Spring Will Come" by Claire Johnson

 

Formation: Longways duple minor
Choreography/Music: Victor Skowronski, 2012 to the traditional tune 'A Provencal Carol'

 

Formation: 2 couples longways
Key: G, Meter: 2/2
Choreography/Music: Gary Roodman (1996)/Gavotte by Pierre Caroubel (c.1600)

 

Formation: Siciilian Circle
Key: A, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw (1959)

 

Formation: 3 couple longways set (was triple mimor)
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1783

 

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: Elizabeth Zeckley (2004) to tune by Mickie Zekley, (1987)

 

Formation: 3 couple longways set
Choreography/Music: Philippe Callens /Jonathan Jensen

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1728

 

Formation: Longways duple minor
Key: Cm, Meter: 3/2
Dance Instruction
Choreography/Music: Gary Roodman (2003)/tune adapted from Scherzo in Cm by Dave Wiesler(1999)

 

Formation: 3 couple longways set
Key: Gm, Meter: 2/2
Choreography/Music: W. Pearson & J. Young. 1718

 

Formation: Longways duple minor
Key: C, Meter: 3/2
Dance Instruction
Choreography/Music: David Smukler, 2015 to The Argos Inn by Rachel Bell

 

Formation: Six couple ‘Becket’ set
Dance Instruction
Choreography/Music: Pat Shaw to ‘Meester Jacob’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: Sicillian Circle of Trios
Choreography/Music: G.M.S Chivers Swedish Country Dances 1822 reconstruction by Eugenia Eremina-Solenikova

 

Formation: Couples in a circle
Dance Instruction
Choreography/Music: Keith Wood February 2013 to 32 bar reels, esp. Waltzing Matilda

 

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Choreography/Music: Qelle: Feullet (1706), Essex (1710)

 

Formation: Triple minor longways
Key: C, Meter: 3/4
Choreography/Music: Fried de Metz Herman

 

Formation: Sicilian Circle
Dance Instruction
Choreography/Music: Chris Page, 2016 to "Ladies In May" by Rebecca King 2016

 

Formation: 2 couple circle
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Colin Hume (1992)

 

Formation: Longways duple minor improper
Key: G, Meter: 4/4
Choreography/Music: Loretta Holz

 

Formation: Longways duple minor improper
Key: Em, Meter: 3/2
Dance Instruction
Choreography/Music: Fried DeMetz Herman/ Purcell (adapted)

 

Formation: 3 couple Longways Set
Key: D, Meter: 3/4
Choreography/Music: Jonathan LF King to "Crested Hens" by Gilles Chabenat

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly & Chris Sackett (2007) to tune by Dave Bartley, published in Impropriety Vol. II

 

Formation: Longways duple minor improper
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Mary Devlin. Bob Fraley, Elizabeth Zekley 2005/Woodlands Walk by Jonathan Jensen

 

Formation: 3 couple longways set
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Heffer and Porter: Maggot Pie

 

Formation: Triple minor longways
Key: G, Meter: 2/4
Choreography/Music: Thompson 1778

 

Formation: 4 couple longways
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Bob Green/ Larry Unger

 

Formation: Longways duple minor
Choreography/Music: Dan Blim (2014), set to The Carpathian Tune

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Erna-Lynne Bogue to a tune by Jan Coray (1995)

 

Formation: Longways duple minor improper
Choreography/Music: Orly Krasner

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson 1773, interp. by George Fogg

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Choreography/Music: Gary Roodman (2012)to tune of the same name by Jonathan Jensen

 

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Choreography/Music: Jan Dale/Terry Willetts

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel tune by Dave Wiesler

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Meter: 6/8
Dance Instruction
Choreography/Music: Melissa Running(2011)

 

Formation: Longways duple minor
Key: Em, Meter: 6/8
Dance Instruction
Choreography/Music: Jenny Beer (2000)

 

Formation: 3 couple Longways Set
Key: G, Meter: 4/4, 2/4
Dance Instruction
Choreography/Music: Thompson (1765)

 

Formation: Duple minor longways
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw 1962

 

Formation: 4 triads
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw (1971)

 

Formation: Longways duple minor
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw c.1971

 

Formation: Longways duple minor
Key: Am, Meter: 6/8
Choreography/Music: Johnson c. 1750; Fallibroome Collection 3

 

Formation: Sicillian Circle of Trios
Choreography/Music: G.M.S Chivers Swedish Country Dances 1822

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Choreography/Music: David Newitt / Dudley Laufman

 

Formation: Longways duple minor improper
Key: Dm, Meter: 6/4
Choreography/Music: Playford 1703

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Choreography/Music: Chris Sackett & Brooke Friendly (1998)/Saturday Morning Waltz,Dave Wiesler (1997),published in Impropriety Vol. 1

 

Formation: 3 couple longways set
Dance Instruction
Choreography/Music: Ignatio Sancho 1779

 

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Choreography/Music: Early American c1800

 

Formation: Triple minor longways
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Traditional/tune by Daniel Dow (1776)

 

Formation: 2 couples longways
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1911)

 

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Choreography/Music: Country Dances of Colonial America (John Millar)

 

Formation: Longways duple minor
Key: Am, Meter: 6/8
Choreography/Music: Louis Vosteen( 2004) to Jefferson and Liberty

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: ThomasPreston(1801)

 

Formation: Longways duple minor
Choreography/Music: Loretta Holz

 

Formation: Duple minor longways improper
Choreography/Music: Susan Kevra (2017)to "Moonflower" by Rachel Bell

 

Formation: Five couple longways
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Dance and music by Colin Hume 2010

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Trad. northern England. Maud Karpeles

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1721

 

Formation: Longways duple minor
Choreography/Music: Susan Kevra to Duck, Duck, Go by Rachel Bell

 

Formation: 3 couple longways set
Choreography/Music: Alan Winston

 

Formation: Longways duple minor
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Gary Roodman(1999)/My Robe is New, trad.Shaker song)

 

Formation: Longways duple minor improper
Choreography/Music: Ron Coxall c 1994. It was published in his book The Blackbrune Tunes. The tune is Miss Hariot Edwick's Favourite (a 5x32 bar jig)

 

Formation: Duple minor longways
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: New Country Dancing Master 3d Bk (Walsh), 1728, Douglas and Helen Kennedy, 1929

 

Formation: Longways duple minor
Key: Em, Meter: 2/2
Dance Instruction
Choreography/Music: William Ganiford, c. 1940

 

Formation: Triple minor longways
Key: dm, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1971)

 

Formation: Longways duple minor improper
Key: Gm, Meter: 4/4
Choreography/Music: Gary Roodman (2003)/to Adsonn's Masque, John Adson (1621) as modified by Gray Roodman

 

Formation: Longways duple minor
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Playford 1695 with 4 major recostructions by: Cecil Sharp, Pat Shaw, Jane Gibson for Pride and Prejudice) and Colin Hume(2007). see 'Dance Instruction" above

 

Formation: Longways duple minor improper
Key: Em, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman (2009)

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel/ Debbie Jackson

 

Formation: 3 couple longways set
Key: Gm, Meter: 12/8
Choreography/Music: Gary Roodman to Country Dance from Handel's Water Music.

 

Formation: Longways duple minor
Choreography/Music: Sheila Bywaters

 

Formation: Longways duple minor
Key: C, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1695

 

Formation: long set 3 cpls; progression 3-1-2
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Kynaston 1718, reconstruciion by Andrew Shaw

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel; tune by Dave Wiesler (1997)

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Bob Green to Tequila by Chuck Rio

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel/ Dave Wiesler

 

Formation: Circle
Key: D, Meter: 6/8
Choreography/Music: Charles Bolton, 2002

 

Formation: 3 couple Longways Set
Key: G, Meter: 3/4
Choreography/Music: Philippe Callens to "At the Brow of the Hill" (c. 1745-46)

 

Formation: 3 couple progressive Longways Set
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw to "Christchurch Bells" (traditional)

 

Formation: Longways duple minor
Choreography/Music: Williamsburg Heritage Dancers

 

Formation: Longways duple minor improper
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

 

Formation: Longways duple minor
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1696

 

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Dance Instruction
Choreography/Music: Susan Amesse and Beverly Francis (2004) to Mr. Beveridge's Ground (1696).

 

Formation: Longways duple minor
Choreography/Music: Bob Olson (2016)

 

Formation: 3 couple longways set (was triple mimor)
Key: D, Meter: 4/4
Choreography/Music: Playford 1710; reconstruction by Charles Bolton

 

Formation: Longways duple minor
Choreography/Music: Ken Sheffield

 

Formation: 3 couple longways set
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Charles Bolton 1986

 

Formation: Longways duple minor
Key: Bm, Meter: 3/2
Dance Instruction
Choreography/Music: Playford, 1710, Recontruction by Bernard Bentley

 

Formation: 4 Couple Longways, 2 and 4 impoper
Dance Instruction
Choreography/Music: Keith Wood October 2011 to a 4 x 32 bar reel

 

Formation: Triple minor longways
Choreography/Music: Thomas Budd. 1780

 

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1670

 

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume 1996

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1777 & TV version

 

Formation: 4 couple square
Choreography/Music: Don & Diane Bell as part of Canada's 150th birthday celebrations (2017) to ""My Cape Breton Home", " by Jerry Holland (1998)

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Choreography/Music: Loretta Holz (2005) to Lavinia's Waltz by Charlene Thomson

 

Formation: 3 couple longways set (was triple mimor)
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: The Dancing Master Vol. III 1728

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1701

 

Formation: Longways duple minor
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Fried deMetz Herman(1996)to a Manx (Isle of Man) tune

 

Formation: 3 couple longways set (was triple mimor)
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh 1718, reconstruction by Andrew Shaw

 

Formation: 4 couple longways
Choreography/Music: James Blackcloak

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1686

 

Formation: 3 couple longways set
Choreography/Music: Philippe Callens to Another Classic Cliché by Mik Lammers (1998)

 

Formation: 3 couple longways set
Key: Bb, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman(1992)/minuet from G.F.Handel's Water Music Suite No. 3 in G

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume (2016)

 

Formation: 9 dancers
Choreography/Music: John Colville

 

Formation: 3 couple longways set (was triple mimor)
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1690

 

Formation: 3 couple longways set (was triple mimor)
Key: A, Meter: 6/8
Choreography/Music: Johnson c 1753

 

Formation: 3 couple longways set
Key: C, Meter: 2/2
Choreography/Music: Colin Hume

 

Formation: 4 couple longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651, reconstruction by Cecil Sharp- Keller/Shimer variation with in-line siding; reimagined by Ju Gosling; French German, Lithuanian, Romanian; with swords; Barony of Cynbar see dance Instruction' above

 

Formation: Circle
Dance Instruction
Choreography/Music: Don Bell

 

Formation: Longways duple minor
Key: B, Meter: 3/2
Dance Instruction
Choreography/Music: Walsh 1710. Pat Shaw 1940/Simons 1973

 

Formation: Double Sicilian (two couples facing two couples)
Key: G and/or D, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw to "Nibs Goes WSest" and/or "Jean on the Fiddle"

 

Formation: 4 couple square
Key: Cm, Meter: 6/8
Dance Instruction
Choreography/Music: Marjorie Heffer and William Porter, Maggot Pie, 1932

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 165l Cecil Sharp (1922)

 

Formation: Longways duple minor improper
Key: C, Meter: 3/4
Choreography/Music: Rich Jackson

 

Formation: Longways duple minor
Choreography/Music: Don and Diane Bell to Part A: Furioso ll’Italiana (1600) by Fabritio Caroso. Part B (2010) by modern Canadian composer Sabrina Schroeder

 

Formation: Longways duple minor
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Philippe Callens (2004)/Tune by John Stapledon

 

Formation: 4 couple longways
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651.Sharp reconstruction.The Playford Ball variant; SCA and RenFair reconstructions see 'Dance Instruction' above

 

Formation: 2 couples longways
Key: Gm, Meter: 6/8
Choreography/Music: Walsh ca 1709

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Fried de Metz Herman (2000) to trun by Fred Grimshaw (1999)

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Goulding 1820, reconstructed by A Simons 1971 and modified for this venue

 

Formation: 4 couples longways set w/1st and 3rd improper
Dance Instruction
Choreography/Music: Keith Wood December 2011

 

Formation: Longways duple minor improper
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Victor Skowronski (2000) to Ronde IX by Tielman Susato (1551)

 

Formation: Triad Mixer
Key: Bb, Meter: Triple time
Choreography/Music: Fried deMetz Herman

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Preston 1805

 

Formation: 4 couple longways
Choreography/Music: Carl Dreher to Oklahama by Rogers & Hammerstein

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1695; Christine Feyerabend

 

Formation: 3 couple longways set
Choreography/Music: Loretta Holz/ Roger Davidson

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: John Walsh, The Complete Dancing Master ca. 1719, reconstruction by Andrew Shaw (2002)

 

Formation: 3 couple longways set
Key: G, Meter: 3/2
Choreography/Music: Kynaston in Walsh 1718; reconstructed by Tom Cook

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: John Walsh, The Complete Dancing Master ca. 1719

 

Formation: Longways duple minor
Key: G?c, Meter: 2/2
Dance Instruction
Choreography/Music: Neal 1726

 

Formation: Set of two trios
Dance Instruction
Choreography/Music: Pat Shaw to ‘Ouwe wijven’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: 3 couple longways set
Choreography/Music: unknown (appears in Wright's Humours, vol2) by Kathryn & David Wright

 

Formation: Longways duple minor
Choreography/Music: Robert Moir to a tune by Janet Collingford

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Choreography/Music: Dawn Winskill to "Consider Yourself' from "Oliver

 

Formation: Longways duple minor
Choreography/Music: Chris Sackett and Brooke Friendly (2014) to Dance of the Demon Daffodils by John Kirkpatrick (2009)

 

Formation: Circle for a many as will
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett (2003, tune by Todd Barton (2003),,published in Impropriety Vol. 1

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Choreography/Music: Thompson 1774

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Chris Page to a waltz of the same name by the band Ladies at Play

 

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: 24 Country Dances for the year 1713 (J. Walsh, J. Hare 1712); reconstructed by Andrew Shaw 2002

 

Formation: 4 couple square
Key: D, Meter: 2/2
Choreography/Music: Playford 1657 (as Oranges and Lemons)

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Ron Coxal (2014 to Out on the Ocean by Barry Skelton

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Neal c. 1726

 

Formation: Triple minor longways
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Cecil Sharp reconstruction (1916) based on Playford 1728

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Ernst August Jayme: Recueil de Contre Dances 1717, based on Mr. Lane's Trumpet Minuet #1. Playford 1619

 

Formation: 3 couple longways set
Choreography/Music: Loretta Hotz (2006) to Trade Winds Waltz by Charlene Thomson (2003)

 

Formation: 3 couple longways set
Key: Bb, Meter: 2/2
Choreography/Music: Gary Roodman

 

Formation: 3 couple circle
Key: Dm, Meter: 2/2
Choreography/Music: Colin Hume to the tune Parson's Farewell

 

Formation: 4 Couple Longways
Key: Em, Meter: 3/2
Dance Instruction
Choreography/Music: Bob Green

 

Formation: Longways duple minor
Choreography/Music: Preston 1779

 

Formation: Longways duple minor
Choreography/Music: Loretta Holz/ Jonathan Jensen

 

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Dance Instruction
Choreography/Music: Thomas Bray 1699

 

Formation: 2 couples longways
Key: Bm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651; reconstuctions by Cecil Sharp, SCA, Cecil Sharp, cecial Sharp, Ilballarino, and others see 'Dance Reconstruction'

 

Formation: 4 couple longways
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Marjorie Heffer and William Porter, 1932

 

Formation: Longways duple minor improper
Key: D, Meter: 9/8
Choreography/Music: Kalia Kliban, (2008) to Ye Banks and Braes of Bonny Doon trad.

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Jenna Simpson /trad.

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Cor Hogendijk

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Fried de Metz Herman

 

Formation: 4 couple square
Dance Instruction
Choreography/Music: James Blackcloak

 

Formation: 3 couple longways set
Choreography/Music: Susan Kevra to a tune by Rachel Bell

 

Formation: Longways duple minor improper
Key: Bb, Meter: 6/8
Choreography/Music: Tom Cook, to tune of the same name by John Stapledon

 

Formation: Longways duple minor
Key: Am, Meter: 3/2
Choreography/Music: Gary Roodman (2003) to tune of the same name by Jonathan Jensen

 

Formation: Longways duple minor
Choreography/Music: Lou Vosteen's variation of Female Saylor

 

Formation: 3 couple longways set
Key: D, Meter: 3/2
Choreography/Music: Philippe Callens (2003) to Cromlit's Lilt (1740)

 

Formation: 4 couple longways
Key: D, Meter: 5/5
Dance Instruction
Choreography/Music: Pat Shaw 1975

 

Formation: 4 couple longways
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1670

 

Formation: 3 couple longways set
Key: F, Meter: 9/8
Dance Instruction
Choreography/Music: Unidentified Collection c. 1800

 

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 2 couples longways
Choreography/Music: Tom Senior (2014) toDouglas Russ by Beth Murray

 

Formation: 3 couple longways set
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: originally 1751, this variation by Graham Foster

 

Formation: Longways duple minor
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1721

 

Formation: 3 couples longways - reel
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1974)

 

Formation: Four–couple square set– Jig
Dance Instruction
Choreography/Music: Pat Shaw, 1974

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Brooke Friendly & Chris Sackett to The Fresh Jug (Irish trad.), published in Impropriety Vol. II

 

Formation: 4 couple square
Key: Cm, Meter: 2/2
Choreography/Music: Gary Roodman (2005)/Entree, Mertillo Suite from Il Pastor Fido by G.F Handel

 

Formation: 3 couple longways set (was triple mimor)
Key: Bb, Meter: 4/4
Dance Instruction
Choreography/Music: Thompson, Twenty Four Country Dances, 1777

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Anna Rain (2011) to Winter Oranges by Daron Douglas (1995)

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett to 'The Split Rock' by Kevin Burke

 

Formation: 5 dancers in a diamon #1 in the middle and #2 with back the music
Dance Instruction
Choreography/Music: Colin Andrews to "Chrysalis" by Chris Sackett (2009)

 

Formation: Duple minor kongways improper triple time
Key: D, Meter: 3/4
Choreography/Music: Fried deMetz Herman (1998) to Ashworth by Anita Andersen (1995)

 

Formation: Longways duple minor
Choreography/Music: Called as contra by Ralph Page

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1701 and a reintrpretation by Pat Shaw

 

Formation: Longways duple minor
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Brooke Friendly and Chris Sackett to The Snowy Path by Mark Kelly 1992, published in Impropriety Vol. III

 

Formation: Duple minor longways
Choreography/Music: Bob Green to "Hambo from Hamilton" by Jonathan Jensen

 

Formation: Longways duple minor
Key: Gm, Meter: 3/2
Choreography/Music: Playford 1713

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Paula Kelley for her hiking and dancing friend Ken Prince (of Westborough, MA) to the tune The Middle of Night by Peter Barnes

 

Formation: 4 Couple Longways
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: The Dancing Master 1st Ed. 1651

 

Formation: Longways duple minor
Key: Bb, Meter: 2/4
Choreography/Music: Preston (1801) reconstruction by Pat Woods (1958)

 

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Walsh 1731

 

Formation: 3 couples longways - reel
Key: Gm, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1701

 

Formation: Longways duple minor improper
Key: Dm, Meter: 2/2
Choreography/Music: Chris Sackett & Brooke Friendly (1997)/The Kettledrum, Playford 1651,published in Impropriety Vol. 1

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Playford 1701

 

Formation: Longways duple minor
Key: Em, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1710

 

Formation: 3 couple circle
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1670

 

Formation: Longways duple minor
Key: any, Meter: 4/4
Choreography/Music: Trad. Northumberland. EFDSS Community Dance Manuals

 

Formation: 4 couple longways
Key: G, Meter: 6/8
Choreography/Music: Heffer and Porter 1932

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1703

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: EDM 11th Ed. 1701;reconstruction Cecil Sharp 1922

 

Formation: 3 couple longways set
Key: Am, Meter: 2/2
Choreography/Music: Gary Roodman (2003)/An Urgent Tune by Jonathan Jensen

 

Formation: Triple minor longways
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw, 1975

 

Formation: Longways duple minor
Key: Eb, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski to Cutty Wren

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Neal c.1726

 

Formation: Longways duple minor improper
Key: G, Meter: 6/8
Choreography/Music: Brooke Friendly and Chris Sackett (2009) to “The White Petticoat” (Traditional Irish), published in Impropriety Vol. IV

 

Formation: Longways duple minor improper
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson IV 1780

 

Formation: Longways duple minor
Key: A, Meter: 2/4
Dance Instruction

 

Formation: Longways duple minor improper
Key: Gm, Meter: 2/2
Choreography/Music: Gary Roodman(2008); tune by Steve Maranto

 

Formation: 3 couple longways set
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Thomas Budd 1795

 

Formation: 3 couple circle
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Fried deMetz Herman to a tune by Tom Siess

 

Formation: 2 couples longways
Choreography/Music: Brooke Friendly and Chris Sackett (2015)

 

Formation: Four couple Longways Set – Jig
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1964)

 

Formation: Longways duple minor
Key: G, Meter: 3/2
Choreography/Music: Walsh 1713 as interpreted by Andrew Shaw 2009

 

Formation: 3 couple longways set
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson 1757 interp: Charles Bolton

 

Formation: Longways duple minor
Key: Cm, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh 1718 and Victor Skowronski, 2003 based on Playford 1695

 

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Walsh 1718; and from Playford 1695 with variant choregraphies including a varant by Victor Skowronsk (2003)

 

Formation: 6 couple longways
Choreography/Music: Hilary Herbert/Elegence by Dave Brown

 

Formation: Triple minor longways
Key: Cm, Meter: 4/4
Choreography/Music: Annonymous (1818)

 

Formation: 3 couple longways set
Choreography/Music: Mary Devlin (2008) to Waltz for Mary Kay by Liz Donaldson (1989)

 

Formation: Duple minor longways improper
Key: G, Meter: 2/2
Choreography/Music: Gary Roodman to "Mundesse" by Susato

 

Formation: 3 couple circle
Choreography/Music: Geoff Todd

 

Formation: Longways duple minor
Choreography/Music: Kimberly, Ellie, & Chava Hall/Joseph Galbraith

 

Formation: 4 couple longways
Key: A, Meter: 4/4
Choreography/Music: Tom Cook/ Brian Jenkins

 

Formation: Longways duple minor improper
Choreography/Music: Elizabeth Goossen

 

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Walsh 1712, interpretation by Chip and Fran Hendrickson, 1984

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Choreography/Music: Thomas Bray 1699

 

Formation: 4 couple square
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: A.(Bert)Simons, 1970 in KentishHops, to Road to Lisdoonvarna (Irish Trad.

 

Formation: Longways duple minor improper
Key: Cm, Meter: 2/4
Choreography/Music: Fried deMetz Herman

 

Formation: 5 couple longways
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1969

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Victor Skowronski (2009) to a folk song Helas madam (Alas my lady) said to be composed by Henry VIII

 

Formation: 3 couple longways set
Key: G, Meter: 3/4
Choreography/Music: Fried de Metz Herman to tune by John Stapledon

 

Formation: 3 couple in a circle
Dance Instruction
Choreography/Music: Keith Wood July 2011

 

Formation: Longways duple minor
Key: C, Meter: 9/8
Choreography/Music: Bride 1776, interpretation by Jacqueline Schwab

 

Formation: Longways duple minor
Choreography/Music: Loretta Holz

 

Formation: 3 couple round set
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (date unknown)

 

Formation: Duple minor longways
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: DM 1701-1728; Cecil Sharp 1922 to the tune of Mr. Lane's Maggot

 

Formation: Longways mixer, couple 2 improper
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: EDM 1st Ed 1651; reconst. by Charles Bolton (Retreads6)

 

Formation: Duple minor longways
Meter: 3/4
Choreography/Music: Peggy Roe. (2011) to "Royal City Waltz"composed by Nina Ury

 

Formation: Longways duple minor
Key: A, Meter: 2/2
Choreography/Music: The Royal Soveeign (Walsh, 1715)

 

Formation: 3 couple longways set
Key: C, Meter: 2/2
Choreography/Music: Charles Bolton

 

Formation: 3 couple longways set
Choreography/Music: Brooke Friendly and Chris Sackett (2011) to Flash of Vermilion by Dave Bartley (2009)t, published in Impropriety Vol. IV

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Ignatio Sancho 1779

 

Formation: 2 couples longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1670; Sharp; The Playford Ball and four additional varitaions see 'Dance Instruction' above

 

Formation: 4 couple square
Key: G/D, Meter: 2/2
Choreography/Music: Trad. Peter Kennedy

 

Formation: 2 couples longways
Key: Dm, Meter: 6/8
Choreography/Music: Playford 1728

 

Formation: Longways duple minor improper
Key: F, Meter: 3/4
Choreography/Music: Orly Krasner

 

Formation: 3 couple longways set
Choreography/Music: Peggy Roe to tune by Vancouver composer Jane Slemonthe

 

Formation: Circle
Key: G, Meter: 6/4
Dance Instruction
Choreography/Music: Playford 1670

 

Formation: Longways duple minor improper
Key: D, Meter: 3/2
Choreography/Music: June Harman to Barham Down

 

Formation: Longways duple minor
Choreography/Music: James Blackcloak

 

Formation: Longways duple minor
Choreography/Music: Thomas Bray 1699 reconstruction by Diana Cruckshenk

 

Formation: 3 couple longways set
Key: Gm, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1713

 

Formation: 2 couples longways
Key: Am, Meter: 2/2/
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Triple minor or three couple set
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Button and Whitaker, 24 Country Dances for the year 1813

 

Formation: Duple minor longways – Waltz
Dance Instruction
Choreography/Music: Pat Shaw to ˜Poolsche Saraâ" from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: Longways duple minor
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Walsh 1719 ; reconst. Jacqueline Schwab (2000)

 

Formation: 4 couple longways
Key: Gm, Meter: 3/4
Choreography/Music: Orly Krasner (2001)

 

Formation: Longways duple minor
Key: A, Meter: 3/2
Dance Instruction
Choreography/Music: Walsh, 1706

 

Formation: Longways duple minor improper
Key: G, Meter: 4/4
Choreography/Music: Brian Wedgebury, 1977

 

Formation: Triple minor longways
Choreography/Music: Walsh c.1728; reconstruction by Andrew Shaw

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Christine Robb to Tom Kruskal's by Amelia Mason and Emily Troll

 

Formation: Longways duple minor improper
Key: Am, Meter: 3/2
Choreography/Music: Gary Roodman, (1999)/Agatha by Erasmus Widmann (1631)

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Choreography/Music: Fried de Metz Herman (2001) to Air by H. Purcell

 

Formation: 3 couple long set; Progressive Triad
Key: G, Meter: 6/8
Choreography/Music: Fried de Metz Herman

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Choreography/Music: Francis Werner, 1784

 

Formation: Longways three couple set – Reel
Dance Instruction
Choreography/Music: Pat Shaw to Sawdl Y Fuwch from Musical Relics of the Welsh Bards by Edward Jones 1794, arranged by Pat Shaw

 

Formation: 4 couple Becket
Key: G, Meter: 2/2
Choreography/Music: Gary Roodman (2005)/Pat's Rag, Jonathan Jensen

 

Formation: 4 couple longways Becket
Key: G, Meter: 2/2
Choreography/Music: Chris Sackett and Brooke Friendly (2008) to tune by Shira Kammen(2006)

 

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: F, Meter: 2/2
Choreography/Music: Thomas Bray 1699 to tune from Amphitryon by Henry Purcell

 

Formation: Duple minor longways
Choreography/Music: Dance and Tune by Tom Seiss (2011)

 

Formation: 3 couple longways set
Choreography/Music: Chris Sackett and Brooke Friendly (2013) to Your Slip is Showing By Chris Sackett (2013)

 

Formation: Longways duple minor
Key: F, Meter: 6/8
Choreography/Music: Wilson, 1816, reconstructed

 

Formation: Round for as many as will
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1670; Sharp; The Playford Ball and four additional varitaions

 

Formation: 7 dances in a circle
Dance Instruction
Choreography/Music: Keith Wood October 2012

 

Formation: 3 couple longways set
Choreography/Music: Thomas Bending 1999

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Joseph Pimentel to a tune by Dave Wiesler

 

Formation: Longways duple minor
Key: Dm, Meter: 3/4
Choreography/Music: Fried deMetz Herman (1977) to Saraband by Corelli

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: George Middleton (1977)

 

Formation: Longways duple minor improper
Key: F, Meter: 4/4
Dance Instruction
Choreography/Music: Bob Green to trad Irish tune 'Green-Gowned Lass

 

Formation: 4 couple longways square
Dance Instruction
Choreography/Music: Dieter Struwe/Renaissance tune

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 3 couple longways set
Choreography/Music: Steve Otlowski, 2016, to Valse des Pastouriaus by Jacky Molard. In honor of Sherry Brodock

 

Formation: 3 couple longways set
Dance Instruction
Choreography/Music: Paul Harris/Samuel Sim for BBC's Emma 2009

 

Formation: 4 couple square
Choreography/Music: Steven Sargent

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Thomas Bray 1699 to tune from The Gordian Knot Untyed by Henry Purcell

 

Formation: 3 couple longways set
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson 1765 as triple minor, and 3 couple

 

Formation: 3 couple longways set
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1710

 

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1698

 

Formation: Longways duple minor
Choreography/Music: Christine Feyerabend - written to practice basic Playford figures

 

Formation: 4 couple square
Key: F, Meter: 3/4
Choreography/Music: Gary Roodman (2013)/Debbie Jackson(2013

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Choreography/Music: Philippe Callens (2003) to D'Uytrechise Vreeden by Estienne Roger (c 1715)

 

Formation: Sicialian Circle, men inside
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Victor Skowronski danced to the tune Simple Gifts by Shaker Elder Joseph Brackett, Jr.S 1848 (2012

 

Formation: 2 couple mixer
Key: C, Meter: 4/4
Choreography/Music: Fried de Metz Herman to a tune by Thomas Ford (1607)

 

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1701

 

Formation: Reel
Key: G, Meter: 9/8
Dance Instruction
Choreography/Music: Wilson Companion 1816

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Johnson 1750

 

Formation: Reel
Choreography/Music: Reg Martin; Early American

 

Formation: Triple minor longways
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Dancing Master 11th ed., 1702

 

Formation: Set of two couples facing each other – Waltz
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw. Pat Shaw arrangement of ‘Menuett’ by Johann Kriegers (1651–1735)

 

Formation: 4 couple longways
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw (1975)

 

Formation: Longways duple minor improper
Key: Dm, Meter: 6/8
Choreography/Music: Tom Cook (1987) / Brian Jenkins

 

Formation: Longways duple minor improper
Choreography/Music: Chris Sackett and Brooke Friendly to Snowbound by Dave Bartley, published in Impropriety Vol. II

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Andrew Shaw reconstruction; dance and tune by Nathanal Kynaston, pub. in Walsh 24CD, 1718

 

Formation: longways triple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: T. Wilson, The Treasures of Terpsichore for 1809

 

Formation: Longways duple minor improper
Key: A, Meter: 3/2
Choreography/Music: Gary Roodman, 2012 to tune of the same name by Petere Barnes

 

Formation: 4 couple square
Key: G, Meter: 2/2
Choreography/Music: Phillipe Callens (2009) to A Trip to the Bar by John Hymas (2009)

 

Formation: Triple minor longways
Key: C, Meter: 3/4
Choreography/Music: Fried de Metz Herman to the tune O’Carolan’s “Welcome”

 

Formation: Longways duple minor
Choreography/Music: Jenna Simpson,to A Person of Quality by Linda Lieberman.

 

Formation: 3 couple longways
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Loretta Holtz (2008) to "South Side Waltz" by Charlene Thomson (2003)

 

Formation: 4 couple square
Key: G, Meter: 3/4
Choreography/Music: Louis Vosteen to the 18th century Scottish tune

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1777

 

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1721

 

Formation: 4 couple square
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Border Trad. Peter Kennedy

 

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Trad. Cecil Sharp

 

Formation: Longways duple minor
Key: C/D, Meter: 2/4
Choreography/Music: Country Dances of Colonial America (John Millar)

 

Formation: Longways duple minor
Key: D, Meter: 2/4
Choreography/Music: Samuel, Ann & Peter Thompson 1794

 

Formation: 4 couple longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1665

 

Formation: Longways duple minor
Choreography/Music: Philippe Callens(2009) to Boree The Old Bachelor, Henry Purcell(1691)

 

Formation: Longways duple minor
Choreography/Music: Elizabeth Goossen

 

Formation: Longways duple minor
Key: Gm, Meter: 2/4
Choreography/Music: Thomas Bray 1699 tune from The Island Princess by Jeremiah Clark 1699

 

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Choreography/Music: Loretta Holz (2007) to Randy's Rondo by Charlene Thompson (2005)

 

Formation: 6 couple cross
Choreography/Music: Jamie Hargrove plus verses by Gwommy, and Aliina

 

Formation: 3 couple longways set
Key: Bb, Meter: 4/4
Dance Instruction
Choreography/Music: Dancing Master,9th Ed,1st Supp 1696 to music from "The Virtuous Wife by Purcell, 1694

 

Formation: Duple Minor longways
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw (1958) to a traditional tune

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: 4 couple longways
Choreography/Music: Loretta Holz/ Dave Wiesler

 

Formation: Longways duple minor improper
Choreography/Music: Bob Green

 

Formation: 3 couple square; One head facing up w/ two sides
Key: D, Meter: 3/4
Choreography/Music: Graham Foster

 

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

 

Formation: Longways duple minor improper
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Tom Cook / Brian Jenkins

 

Formation: 3 couple longways set
Key: F, Meter: 6/8
Choreography/Music: Playford 1651

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Choreography/Music: Gary Roodman (2000)

 

Formation: Longways duple minor, or triple
Choreography/Music: James R. Morrison, 24 Early American Country Dances for 1976

 

Formation: Square of Trios
Key: D, Meter: 6/8
Choreography/Music: Preston 1791

 

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Ignatius Sancho Twelve Country Dances.1779

 

Formation: Longways triple or duple minor
Key: G, Meter: 4/4
Choreography/Music: Asa Willcox

 

Formation: 3 couple longways set
Dance Instruction
Choreography/Music: Keith Wood January 2015 to "All in a Garden Green"

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Choreography/Music: Phillipe Callens (2003) to Silver Birches by Geoff Nmendham (2003)

 

Formation: Longways duple minor
Key: A, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson 1757

 

Formation: Longways duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Tom Roby 2002 to Judy and Jim's Wedding by Larry Unger

 

Formation: Longways duple minor
Choreography/Music: Elizabeth Goossen

 

Formation: Duple minor longways
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh, Selected Country Dances for 1760

 

Formation: Longways duple minor
Choreography/Music: Jenna Simpson to Sunlight Room by Dave Wiesler

 

Formation: Longways duple minor
Meter: 6/4
Dance Instruction
Choreography/Music: Playford 1670

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett (2014) to tune by Shira Kammen (2014)

 

Formation: Longways duple minor improper
Choreography/Music: Sharon Mckinley/tune by Jonathan Jensen, 2014

 

Formation: Duple minor longways – Reel
Dance Instruction
Choreography/Music: Pat Shaw to ‘Soet roosie root’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: 3 couple longways set - Reel
Dance Instruction
Choreography/Music: Pat Shaw (1962)

 

Formation: 4 couple square
Choreography/Music: Susan Kevra to tune by Rachel Bell. Instructions &tune courtesy of Rachel Bell

 

Formation: Couple mixer
Key: G, Meter: 4/4
Choreography/Music: Michael Barraclaugh, c. 1980's

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1765

 

Formation: Longways duple minor
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh, reconstructed by Jacqueline Schwab, 1987

 

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume (2010)

 

Formation: 5 couple longways
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Colin Hume 1989

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski

 

Formation: 4 couple longways, improper
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (2000) to Courante by M.Praetorius c. 1612

 

Formation: 3 couples in a progressive long set
Key: G, Meter: 3/4
Choreography/Music: Fried de Metz Herman (2002) to Hagley Assembly bv Terry Willetts

 

Formation: 2 couples facing
Choreography/Music: Loretta Holz

 

Formation: 5 couple Longways Set – Jig
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Double Sicilian Circle
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple minor improper
Key: D, Meter: 4/4
Choreography/Music: Fried de Metz Herman

 

Formation: Longways duple minor
Choreography/Music: Jenna Simpson (2011)

 

Formation: Longways duple minor
Key: Dm, Meter: 3/4
Choreography/Music: Fried de Metz Herman (2002)

 

Formation: Longways duple minor
Choreography/Music: Colin Hume (1992)

 

Formation: Longways duple minor
Choreography/Music: Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen 2009t, published in Impropriety Vol. IV

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Choreography/Music: Sudbury collection, 1750, interpretation K. and D. Wright, 1984

 

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Bernard Bentley (Falibroome IV Collection (1971)

 

Formation: 3 couple longways set
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson, Twenty Four Country Dances, 1777

 

Formation: Duple minor longways
Choreography/Music: Orly Krasner to a tune by Anita Anderson.

 

Formation: Longways Duple Minor
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Bride's "Favourite Collection of Two Hundred Country Dances". 1775

 

Formation: Longways duple minor
Key: Dm, Meter: 3/8
Choreography/Music: Fried de Metz Herman (2000) to Hornpipe by Henry Purcell (1658)

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel(2005) to Lamp of the River by Dave Wiesler

 

Formation: 3 couple longways set
Key: D, Meter: 3/4
Choreography/Music: Fried de Metz Herman/Henry Purcell

 

Formation: 3 couple longways set
Choreography/Music: Brook Friendly and Chris Sackett (2008) to Flaxley Green Dance (Traditional English), published in Impropriety Vol. II

 

Formation: Triple minor longways
Choreography/Music: Brooke Friendly and Chris Sackett (2005) to The Wishing Well(trad.Irish slip jig), published in Impropriety Vol. II

 

Formation: Longways trios
Choreography/Music: Christian Länger, Terpsichore, 1824;Reconstructed by E.Solenikova

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Philippe Callens to the tune The Last New Vagaries The Dancing Master. 1701

 

Formation: Longways duple minor
Key: A, Meter: 6/8
Choreography/Music: John Walsh, 24 New Country Dances for the year 1714)reconstructed by Phillipe Callens

 

Formation: Longways duple minor improper
Key: Gm, Meter: 2/2
Choreography/Music: Gary Roodman (2012)/Twelfth Eve, PLayford 1702

 

Formation: 4 couple set
Dance Instruction
Choreography/Music: Bob Green to "Leptaena Waltz" by Miranda Arana

 

Formation: Triple minor longways
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Cahusac 1794

 

Formation: Longways duple minor improper
Choreography/Music: Robert Jamison (2008)

 

Formation: Longways duple minor
Choreography/Music: Bob Green to Drop Me Off in Harlem by Duke Ellington

 

Formation: Triple minor longways
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1728

 

Formation: 2 couples longways
Choreography/Music: Brian Wedgbury

 

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw (1959)

 

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1728

 

Formation: Longways duple minor
Choreography/Music: Susan Kevra to Voyage de la Diabline by Rachel Bel

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Kate Riley (1956)

 

Formation: Couples in a circle facing line of dance
Dance Instruction
Choreography/Music: Keith Wood May 2013

 

Formation: Longways duple minor improper
Key: Dm, Meter: 4/4
Choreography/Music: Gary Roodman (2015)

 

Formation: 3 couple longways set
Key: Em, Meter: 3/2
Choreography/Music: Playford 1718, reconstruction by Andrew Shaw (unpublished)

 

Formation: 2 couples longways
Key: C, Meter: 2/2
Choreography/Music: Gary Roodman (2000) to his variation of Kemp's Jig (Anon.

 

Formation: 4 couple longways
Choreography/Music: Jenna Simpson (2013)to Capelthwaite by Claudette Sogg

 

Formation: Siciilian Circle
Key: G, Meter: 9/8
Choreography/Music: Brooke Friendly & Chris Sackett (2005) to The Foxhunter's (trad);published in Impropriety Vol. 1 and modification for children

 

Formation: 4 couple longways
Key: Em, Meter: 2/4
Dance Instruction
Choreography/Music: Preston, 1793

 

Formation: Triple minor longways
Key: F, Meter: 2/4
Choreography/Music: Johnson c. 1750

 

Formation: Triad
Key: F, Meter: 2/2
Choreography/Music: Peggy Roe to Corelli's Maggot

 

Formation: Round set for five couples, numbered anticlockwise
Dance Instruction
Choreography/Music: Pat Shaw to ‘Ag Hemel wat sal ik’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: Longways duple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: Gary Roodman(1999/Mr Warwick's Mask (Anon.)

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Dancing Master 1728

 

Formation: Longways duple minor improper
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Ron Coxall (2002) to Midnight Mororings by Heather Bexon (1998)

 

Formation: 3 couple circle
Key: Bm, Meter: 304
Dance Instruction
Choreography/Music: Gary Roodman (2003)/Tourner á Trois by Paul Machlis

 

Formation: Square set
Dance Instruction
Choreography/Music: Keith Wood February 2014 to 4x32 bar reels, esp. The Flowers of Autumn

 

Formation: Longways duple minor
Choreography/Music: Mike Parker to La Serenissama by Loreena McKennitt

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Mike Richardson, 1998. to 'My Cape Breton Home' by Jerry Holland

 

Formation: Longways duple minor
Choreography/Music: Susan Kevra to tune by Rachel Bell

 

Formation: 4 couple longways
Choreography/Music: Twenty Year's Waltz (with Fried's commentary)

 

Formation: Longways duple minor improper
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Sharon Green (2008) to Maxwell's Rant

 

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1686

 

Formation: Four–couple Square Set
Meter: Waltz
Dance Instruction
Choreography/Music: Pat Shaw (1956) set to Twickenham Ferry by Theo. Marzials

 

Formation: Double circle
Key: G, Meter: 3/2
Choreography/Music: Wil van den Berg (unattributed variant)

 

Formation: 4 couple longways
Choreography/Music: Siôn Andreas o Wynedd (Ian A. Engle)to Barbarini's Tammbourine

 

Formation: Longways duple minor
Key: F, Meter: 6/4
Dance Instruction
Choreography/Music: Playford 1695; Three 3-couple variation by Martha Kent

 

Formation: 2 couples longways
Key: D, Meter: 4/4
Choreography/Music: Dave Ricker to Mount Hils- Playford 1721

 

Formation: 4 couple longways square
Key: F, Meter: 2/2
Choreography/Music: Jenna Simpson to the tune Tom Kruskal's by Amelia Mason and Emily Troll

 

Formation: Triple minor longways
Key: D, Meter: 34
Choreography/Music: Thomas Wilson, The Treasures of Terpsichore; or, A Companion for the ball-Room. - 1809

 

Formation: Longways duple minor
Key: Cm, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2009) to Doctor Who Pirate Jig by Martha Stokely (2006)

 

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume (1986)

 

Formation: Square set for 4 couples – Reel
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: 4 couple longway
Choreography/Music: Claire Kaley to the tune "Wolstonbury" by Steve Hunt.

 

Formation: Longways duple minor
Key: Am or D, Meter: 3/2 or 9/8
Dance Instruction
Choreography/Music: Playford 1703

 

Formation: 3 couple longways set
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 see 'Dance Instrucion" above

 

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett (2008

 

Formation: Triple minor longways
Choreography/Music: Brooke Friendly and Chris Sackett (2014) to Incunabula by Dave Bartley (2004)

 

Formation: Longways duple minor
Choreography/Music: Phillippe Callens

 

Formation: Longways duple minor improper
Key: Gm, Meter: 2/4
Dance Instruction
Choreography/Music: Gary Roodman (2005) to Antonio Vivaldi and Van Kaynor

 

Formation: Triple minor longways
Key: C, Meter: 6/8
Choreography/Music: Samuel James Button and John Whitaker, Dances, Reels & Waltzes. #18 (1813)

 

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Playford c.1698; and reconstructed by Christine Helwig

 

Formation: 4 couple longways Becket
Choreography/Music: Gary Roodman(1992/Year of Jubilo, Trad.

 

Formation: Triple minor longways, triple progression
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1779 with a reconstruction by Tom Bood (1984)

 

Formation: Sicillian Circle of Trios
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw 1963 alternative tune: "Wardpark by Joan Gilbert

 

Formation: Longways duple minor
Key: F, Meter: 2/2
Choreography/Music: Charles Bolton reconstruction (Retreads 6. c.1990) of Walton Abbey(1698)

 

Formation: 4 couple longways square
Choreography/Music: unknown New Zealand choreographer

 

Formation: Longways duple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: Melissa Running (2010)

 

Formation: Siciilian Circle
Key: D, Meter: C
Dance Instruction
Choreography/Music: Pat Shaw (c.1966) to Caerdroea Welsh trad.

 

Formation: 3 couple longways set
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw,First version and Second version 1971

 

Formation: 4 couple longways
Key: G, Meter: 6/8
Choreography/Music: Scott Higgs, set to the 16th century ballad, Watkin's Ale.

 

Formation: 4 Couple Longways, 2 and 4 impoper
Dance Instruction
Choreography/Music: Hilary Herbert, in Hilary's Humours 2, 1997

 

Formation: Lonways duple minor improper; Starts w/ long wavy lines, gents facing out
Dance Instruction
Choreography/Music: Bob Green (2013) to "Wheat" by Martha Edwards

 

Formation: Longways duple minor improper
Key: G, Meter: 2/4
Choreography/Music: Jenna Simpson (2016) to the tune of Mundesse (Playford 1651)

 

Formation: Longways duple minor
Choreography/Music: utton & Whittaker 181

 

Formation: Longways duple minor
Key: D, Meter: 4/2
Choreography/Music: Jenna Simpson(2015) to 'Welcome Home, My Dearie' from David Johnson's Scottish Fiddle Music in the 18th Century.

 

Formation: Triple minor longways
Choreography/Music: Brooke Friendly & Chris Sackett to The Last Mile by Larry Unger, Michelle Levy, Kyle Hardman, Ken Blackwood, and Bob Anholt (2009), published in Impropriety Vol. III

 

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Chrystal Gallacci Jones (2008)

 

Formation: Longways duple minor improper
Choreography/Music: Tom and Susan Amesse

 

Formation: Longways duple minor
Choreography/Music: Loretta Holz

 

Formation: Longways duple minor
Choreography/Music: Bob Olson (2016)to O’Carolan’s “Welcome”

 

Formation: Longways duple minor
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Nathanial Kynaston (1718), reconstruction by Andrew Shaw (2002)

 

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: DM1(12th edition) 1703 ; variations Frank Vam Cleef's interpretation c, 1981; Move down(Burtukova Svetlana and Morus Stratalatov); A Simons Kentish Hops and Czeck and Louisiana var see 'Dance Instruction' above

 

Formation: Longways duple minor improper
Choreography/Music: Ellie, & Chava Hall/Jonathan Jensen

 

Formation: Longways duple minor
Choreography/Music: Joseph Pimentel (2009) to Westaire Court by Debbi Jackson

 

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1698

 

Formation: 9 dancers
Choreography/Music: Chris Turner

 

Formation: Longways duple minor
Key: Em, Meter: 3/2
Choreography/Music: Gary Roodman (2005)/Richard's Reminderby Debbie Jackson (1998)

 

Formation: 4 couple square
Choreography/Music: Chrissy Davis-Camp, 2007 to When At Last by Russ Barenberg;

 

Formation: Longways duple minor
Key: G, Meter: 3/4
Choreography/Music: Orly Krasner, CDSS News #164, 2000 Tune: A Book of Ayres Phillip Rosseter, 1601, words by Thomas Campion

 

Formation: Longways duple minor
Key: G, Meter: 2/4
Choreography/Music: Thompson 1791

 

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: Pat Shaw

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Loretta Holz (2006) to Summer Garden Jig by Charlene Thomson (2004)

 

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 (as The Wherligig)

 

Formation: Longways triple minor
Key: G, Meter: 2/4
Choreography/Music: J Walsh, J. Hare 1712 reconstructed by Andrew Shaw (2002)

 

Formation: Longways duple minor improper
Key: Dmodal, Meter: 9/8
Choreography/Music: Gary Roodman (2005)/Jonathan Jensen

 

Formation: Longways duple minor
Choreography/Music: Peggy Roe

 

Formation: 3 couple longways set
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Hazel Moir to "Bugeilio’r Gwenith Gwyn" (traditional Welsh song, 18th C.)

 

Formation: 5 couple circle
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Gary Roodman (1996)/Hugh O'Donnell by Carolan

 

Formation: Longways duple minor improper
Key: G, Meter: 6/8
Choreography/Music: John Walsh's Twenty-Four dances for the Year 1713. This is a reconstruction by Andrew Shaw published in Farnicle Huggy (2009)

 

Formation: 3 couple longways set (was triple mimor)
Key: Bb, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson's Compleat Collection of 200 Favorite Country Dances, vol.1 (London, 1757). recorded version of Contemporary Eugene Eremina-Solenikovoy

 

Formation: Longways duple minor Becket
Choreography/Music: Alan Goldthorpe/"Leona Tuttle" by Lary Unger

 

Formation: Longways trios
Choreography/Music: unknown

 

Formation: Longways duple minor improper
Choreography/Music: Bob Green/ Dave Wiesler

 

Formation: Longways duple minor improper
Choreography/Music: Jan Dale to First Sign of Spring by Brian Jenkins

 

Formation: Longways duple minor improper
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman (1996)/Jonathan Jensen

 

Formation: 3 couple longways set
Key: D, Meter: 6/8
Choreography/Music: Phillipe Callen (2004) to The Dove Cove by John Stapledon

 

Formation: 3 couple longways set
Choreography/Music: Carl Dreher 2010

 

Formation: Square with an extra couple
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Wendy Crouch to Early One Morning 16th Century Ballad

 

Formation: 3 couple triad
Key: Em, Meter: 3/4
Choreography/Music: Fried de Metz Herman to Crossing to Ireland, a traditional Scottish melody, and O'Carolan's Captain O'Kain.

 

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Thomas Bray 1699

 

Formation: Longways duple minor improper
Choreography/Music: folk-processed version of Wizard's Walk by Ruth Ungar

 

Formation: 5 couple longways set
Dance Instruction
Choreography/Music: Pat Shaw to 'Ick hebbe mijne klachten’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

 

Formation: Triple minor longways
Key: G, Meter: 2/2
Choreography/Music: Thomas Bray 1699

 

Formation: Circle mixer
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman

 

Formation: Longways duple minor
Key: F, Meter: 2/2
Choreography/Music: Walsh 1718

 

Formation: Longways duple minor
Key: C, Meter: 2/2
Choreography/Music: Playford 1703

 

Formation: Longways duple minor
Choreography/Music: Lise Dyckman, Jim Saxe, Nancy Baugh and Alan Winston.(7/10/2012 at the Woodshed dance) to Megajig by Larry Unger

 

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Kynaston, 1711, interpretation by Andrew Shaw (2000)

 

Formation: 3 couple longways set, top couple improper
Key: g, Meter: 4/4
Dance Instruction
Choreography/Music: Scott Higgs

 

Formation: 4 couple longways
Key: Dm, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green, tune composed by Jonathan Jensen after superstorm Sandy in 2012

 

Formation: 3 couple longways set
Key: Am, Meter: 6/8
Choreography/Music: Gary Roodman

 

Formation: Longways duple minor
Choreography/Music: Brook Friendly and Chris Sackett a tune by Jonathan Jensen, published in Impropriety Vol. III

 

Formation: Longways duple minor
Choreography/Music: 24 Early American CD

 

Formation: Longways Duple Minor
Meter: 3/4
Dance Instruction
Choreography/Music: Bob Green to "Ariel Julia" by Larry Unger

 

Formation: Longways duple minor
Key: D, Meter: 3/2
Choreography/Music: John Walsh, The Complete Dancing Master ca. 1740

 

Formation: Longways duple minor
Key: Am, Meter: 9/8
Dance Instruction
Choreography/Music: Neal ca.1726

 

Formation: 3 couple longways set
Key: Bm, Meter: 9/8
Choreography/Music: Kynaston 1717,reconstruction by Andrew Shaw (2002)

 

Formation: Triple minor longways
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Unknown, published by Mr. John Griffiths, Dancing-Master in Providence. 1788

 

Formation: Longways duple minor improper
Key: G, Meter: 4/4
Choreography/Music: Fried deMetz Herman, 1996. to "O Little Town of Bethlehem

 

Formation: Longways duple minor
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Walsh 1715

 

Formation: 3 couple longways
Choreography/Music: Colin Wallace